I'm not sure you have a Strad-O-Lin genre mandolin there. Can you get a straight on shot of the front of the headstock and the back of the body as well? It may be the angle the image was taken from that's making it look odd.
"It's comparable to playing a cheese slicer."
--M. Stillion
"Bargain instruments are no bargains if you can't play them"
--J. Garber
It has segmented f holes but other builders used those as well. It's not a Strad-O-Lin genre mandolin. Are the tuners and tailpiece attached with screws?
"It's comparable to playing a cheese slicer."
--M. Stillion
"Bargain instruments are no bargains if you can't play them"
--J. Garber
Yes
It looks a whole lot like some of the Blue Comet/Medalist branded branded mandolins. They have been attributed to Regal and United. I'm not really sure yet. I'm trying to find a mandolin with that same neck heel.
Are there any numbers stamped inside it?
"It's comparable to playing a cheese slicer."
--M. Stillion
"Bargain instruments are no bargains if you can't play them"
--J. Garber
The heel of the neck, the shape of the headstock, the slightly odd A style shape and the slash cut-off end of the fretboard should all be clues as to where it came from. I just haven't been able to nail down an example yet. Within a few hours there will a few of us working on this.
"It's comparable to playing a cheese slicer."
--M. Stillion
"Bargain instruments are no bargains if you can't play them"
--J. Garber
The back and the heel of the neck look Kay like, the headstock looks a bit more elegant than the average Kay. Have you got the tailpiece cover as well or just the base?
"It's comparable to playing a cheese slicer."
--M. Stillion
"Bargain instruments are no bargains if you can't play them"
--J. Garber
Looking at the tailpiece I'm starting to suspect that this might have been built by a European company like Levin but I can't find an example That was obviously a copy of the Waverly Cloud type tailpiece but the profile is wrong. I'll have to see what the rest of the mandolin detectives think.
"It's comparable to playing a cheese slicer."
--M. Stillion
"Bargain instruments are no bargains if you can't play them"
--J. Garber
OK, here is the same tailpiece on an Oscar Schmidt built Stella. That takes an overseas builder off the table. The headstock shape is similar as well. I just can't find that mandolin with those F holes yet. The dots on the fingerboard follow the same pattern as well.
"It's comparable to playing a cheese slicer."
--M. Stillion
"Bargain instruments are no bargains if you can't play them"
--J. Garber
Another Stella with the cover. It's a cloud style tailpiece cover, I have no idea if it fits the Waverly base. This had to be either after OS sold the Stella brand name or just before. I don't think it ever had a brandname, it was probably built for the trade. The body shape on these is different than the OP but there are some similar traits. Maybe a United build using old templates?
"It's comparable to playing a cheese slicer."
--M. Stillion
"Bargain instruments are no bargains if you can't play them"
--J. Garber
Ok, that’s really good to know! Now I just need to find out exactly what it is. However, could someone suggest a good varnish to refinish this instrument? I don’t have a good place or recipe to make any.
You can get violin varnishes from a supply house such as International Violin Co. or Metropolitan Music. Spirit varnishes dry quicker, oil varnishes are easier to apply. Or you can use nitrocellulose lacquer in spray cans, available from LMI and Stew-mac, or use one of the Deft products. Or you can learn how to French polish shellac.
All have their advantages, disadvantages, and learning curves.
So, I was told that my mandolin dates back to pre ww2. But I don’t know much more than that.
It was either made by Oscar Schmidt of Jersey City, NJ or the successor company United of the same city. it would be 30's to 40's. How is the refinishing going?
"It's comparable to playing a cheese slicer."
--M. Stillion
"Bargain instruments are no bargains if you can't play them"
--J. Garber
I would also agree with the OS attribution.
Jim
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19th Century Tunes
Playing lately:
1924 Gibson A4 - 2018 Campanella A-5 - 2007 Brentrup A4C - 1915 Frank Merwin Ashley violin - Huss & Dalton DS - 1923 Gibson A2 black snakehead - '83 Flatiron A5-2 - 1939 Gibson L-00 - 1936 Epiphone Deluxe - 1928 Gibson L-5 - ca. 1890s Fairbanks Senator Banjo - ca. 1923 Vega Style M tenor banjo - ca. 1920 Weymann Style 25 Mandolin-Banjo - National RM-1
I haven’t started varnishing yet because I wasn’t sure if it would be worth spending tons of money on varnish nor do I have any idea on how much I could get selling it.I may still varnish it for the experience.
I doubt you would get much selling it but you could turn it into an enjoyable instrument to play and learn about finishes on the way.
It's not going to bring you a whole lot of money even if you restore it. This needs to be a labor of love.
"It's comparable to playing a cheese slicer."
--M. Stillion
"Bargain instruments are no bargains if you can't play them"
--J. Garber
Alright, I’ll show a final result when I finish
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