Hey guys, I thought I'd share some pictures and the story of my little bowlback family with you.
I'm actually a guitarist/violinist. The first mandolin I ever got is an undated "Sternberg Armin", apparently from Budapest, Hungary. My dad bought it as a present for me last year, for 50 bucks on a flea market. It wasn't in very good condition. The frets were very worn and stood out of the fretboard, the tuners didn't work properly, and the action made it almost unplayable.
Some time passed, I barely played on it - but with the possibility of playing the mandolin part in an opera production this year, I got motivated and started to work on it in my free time to make it more playable, since the actual sound of it was very sweet and the neck wasn't warped from what I saw. I gathered some tools, ordered new tuners, some fretwire and a new bone nut, new strings and got to it... it was a lot of work, but also really fun - I never did something like this before. Here's the result... before and after:
I'm really happy with the result - the playability is really good, and the intonation is spot on with the new frets.
The next mandolin I got was from a private seller, it's an undated "Mario Casella" from Catania, Sicily. Got it for 80 bucks, it was in quite good condition. I brought to a luthier just for a new nut and for lowering the action a bit. It's a nice instrument, unfortunately the neck seems to have warped over time, or the frets were poorly placed in the first place; even when it's perfectly in tune with itself (plus bridge intonation properly adjusted), some notes on the fretboard are noticeably flat.
I replaced the frets like on my first mando, which made it a little better, but still not good. Playability is nice, the sound is a bit nasal for my taste. But I like to look at this instrument. A lot.
Next up is my latest addition, a Calace from 1926, which I already have posted in the Vintage instrument subforum here. What can I say about this one? I think I'm in love :-)
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