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Thread: non-builder question re. wood and ivory bindings

  1. #1
    Timothy Tim Logan's Avatar
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    Default non-builder question re. wood and ivory bindings

    Could someone tell me the background re. wood vrs "ivory type" bindings? Were earlier mandolins made with wood bindings? Why choose one vrs the other? Is wood different than "purfling"? Is there advantages and disadvantages to either type? Thank you !!!!!

  2. #2
    harvester of clams Bill McCall's Avatar
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    Default Re: non-builder question re. wood and ivory bindings

    Before plastic, it was all wood. Generally, plastic is cheaper and easier to use. Choice by cost, aesthetics and availability. Bindings are on the edge of an instrument, purfling is either inset or adjacent to the binding. But the strip in the center of a guitar is typically purfling if it’s more than one piece.

    Violins typically have no binding but often have a purfling strip inset parallel to the edge. Mandolins typically have binding on at least the top edge but no purfling (exceptions are probably numerous). Bindings protect the edge, purfling is decorative.
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  4. #3
    Timothy Tim Logan's Avatar
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    Default Re: non-builder question re. wood and ivory bindings

    Thank you - I appreciate your help Bill!

  5. #4

    Default Re: non-builder question re. wood and ivory bindings

    My Eastman 915 has maple binding.

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  6. #5
    Registered User amowry's Avatar
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    Default Re: non-builder question re. wood and ivory bindings

    On mandolins, we often refer to the inner layers of binding as purfling, though it's not really purfling in the violin sense. It may be set shallower than the binding, but it's often just an inner laminate layer.

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