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Thread: Gibson F9

  1. #1
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    I know there's been some interest from a few of the cafe members on the Gibson F9. I just bought this one a few days ago. I'm really impressed with it's playability and tone. It's definitely got that dry, woody, Gibson bluegrass tone. Anyone looking for a F style mandolin in the 2K range should check these out.

    Jim
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  2. #2
    Wanna be manodlin player
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    JimW, Very nice. I really like mine. As soon as I get a digital camera, I'll post some of mine.
    Ron Lane
    2002 Gibson F-9
    Martin DC-18GTE

  3. #3
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    Ok, I took some pictures with better lighting today. Without the mauve chair (satisfied Dale)
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  4. #4
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    Another of the Front.
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  5. #5
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    One of the back.
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  6. #6
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    Last one, a closer shot of the back.

    Dale doesn't know it yet, but I'm going to sell him my mauve chair.
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  7. #7
    Registered User pickinNgrinnin's Avatar
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    I didn't really care for the F9's at first but over time I am starting to like the simple look to them. Nice flame on the back on this one. Very nice.

  8. #8
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    Same here. Lately i've come to really like the simple elegance of an F9 or a Collings MF.
    .
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    -= MAS is only life threatening if you're married =-
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    BlueGrassFire

  9. #9
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    I think Gibson some ante up and
    put the dots on the fingerboard...

  10. #10
    Registered User Coy Wylie's Avatar
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    The simple look reminds me of an old fiddle. Question: why have mandolins been made so ornate and fiddles remain relatively plain?

  11. #11
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    Quote Originally Posted by (Willard @ Feb. 29 2004, 14:59)
    The simple look reminds me of an old fiddle. Question: why have mandolins been made so ornate and fiddles remain relatively plain?
    Probably because the points might poke your eye out. Thats a good question actually. Any fiddle sages want to chime in here?
    Back as a small fish in a big, city shaped pond.

    http://www.myspace.com/stevequattrocchi

  12. #12
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    Well, I don't know that I consider fiddles "plain". They're intricately carved, the purfling is probably harder to do that on a mandolin, the scroll is a piece of work, the overall shape has cosmetic augmentation as well.

    I do know, though, that violinmakers do not like to work on mandolins. They hate the binding, and are taken aback at the amount of work necessary to open up a mandolin. Then there's the fret problems.

    I guess it comes down to what you're used to.

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