Hey guys,
I'm learning Sam Bush's Brilliancy and on of the variations, he plays a lot of pull offs (The descending triplets). When I try to do the pull offs, they sound almost nonexistant while Sam's sound like he's actually picking it. I have the tabs for it, they are pull offs. This goes for all professional mandolin players. How do they get so much sound out of their pull offs. I'm assuming its the whole practice thing but are they simply just lifting the finger off the fret or are they almost like plucking at the string when they lift there finger.
Thanks!
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