I'm building a new mandolin based on the Lyon & Healy. The top is carpathian spruce, the back is black walnut & quilted maple,neck hard rock maple. Short neck 10th fret
I'm building a new mandolin based on the Lyon & Healy. The top is carpathian spruce, the back is black walnut & quilted maple,neck hard rock maple. Short neck 10th fret
ohhh yummy
Nice work!
Keep the pics coming!
Your scroll is very unique!
"Music is the only noise for which one is obliged to pay." ~ Alexander Dumas
Very nice indeed, love these old designs!
How did you do the soundhole inlay? Back in the day they would set the MOP pieces into some sort of mastic-like substance, which no doubt was great when new but goes pretty manky after a 100 or so years
Curiously yours, John.
I like this and look forward to hearing it.
Bill
IM(NS)HO
That's going to be very elegant!
Jamie
There are two things to aim at in life: first, to get what you want; and, after that, to enjoy it. Only the wisest of mankind achieve the second. Logan Pearsall Smith, 1865 - 1946
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Love to see a modern twist on a classic design. Keep us posted.
Tavy, "pretty manky"?
Charley
A bunch of stuff with four strings
Congratulations Wes, Absolutely gorgeous work. The headstock gracefully turning back on itself like fretting fingers or vines organically grown in Art Nouveau. Is your back plate wood combination for tone consideration or visual effect. Are you bracing the same as L&H? Thanks again for sharing, you definitely are walking the wire between craftsmanship and art.
"A sudden clash of thunder, the mind doors burst open, and lo, there sits old man Buddha-nature in all his homeliness."
CHAO-PIEN
Very cool, Les. Did you work with an original L&H to make your copy? Are you going for the L&H tone as well (plate carving)? I see a few of the L&H clones but often the looks are more cosmetic and the tone is taken from either the Gibson or the modern models.
Also, what scale length are you using?
Jim
My Stream on Soundcloud
19th Century Tunes
Playing lately:
1924 Gibson A4 - 2018 Campanella A-5 - 2007 Brentrup A4C - 1915 Frank Merwin Ashley violin - Huss & Dalton DS - 1923 Gibson A2 black snakehead - '83 Flatiron A5-2 - 1939 Gibson L-00 - 1936 Epiphone Deluxe - 1928 Gibson L-5 - ca. 1890s Fairbanks Senator Banjo - ca. 1923 Vega Style M tenor banjo - ca. 1920 Weymann Style 25 Mandolin-Banjo - National RM-1
Did the L&H mandolins have that riser block, fret maker piece and fretboard extender or is that a concession to Gibson?
Hank the back plate combo is for tone, quilted maple has a tendancy to be a little bright & I'm hoping the black walnut will help bring it down a little
Theriser block & extension was my choise
I'm using a 13 7/8 scale length. I drew my plans from a picture & I'm carving my plates close to the a-4
Les, that is amazing! Pure art at its best!
Jim
My Stream on Soundcloud
19th Century Tunes
Playing lately:
1924 Gibson A4 - 2018 Campanella A-5 - 2007 Brentrup A4C - 1915 Frank Merwin Ashley violin - Huss & Dalton DS - 1923 Gibson A2 black snakehead - '83 Flatiron A5-2 - 1939 Gibson L-00 - 1936 Epiphone Deluxe - 1928 Gibson L-5 - ca. 1890s Fairbanks Senator Banjo - ca. 1923 Vega Style M tenor banjo - ca. 1920 Weymann Style 25 Mandolin-Banjo - National RM-1
Lovely.
Steve
This is what I'm doing with the peghead, bookmatched black walnut overlay with w/b purfling & pearl inlay
This just keeps getting better. Skip, I heard that.
"A sudden clash of thunder, the mind doors burst open, and lo, there sits old man Buddha-nature in all his homeliness."
CHAO-PIEN
Thanks Charley thats exactly what I was thinking
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