It's a complicated issue. As you read above, many now top builders have made full Gibson copies. The times have changed some and folks have definite opinions on the matter.
Jamie
There are two things to aim at in life: first, to get what you want; and, after that, to enjoy it. Only the wisest of mankind achieve the second. Logan Pearsall Smith, 1865 - 1946
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Like it or not Gibson has been and continues to be the leader in mandolins. While some Asian companies have surpassed them in number of mandolins made (especially since the flood) Gibson continues to lead the way. When out in a public gathering of mandolins (usually in the bluegrass music genre) you will see more Gibsons than any other brand.
It ain't what you take, it's what you ...
Emando.com: More than you wanted to know about electric mandolins.
Notorious: My Celtic CD--listen & buy!
Lyon & Healy • Wood • Thormahlen • Andersen • Bacorn • Yanuziello • Fender • National • Gibson • Franke • Fuchs • Aceto • Three Hungry Pit Bulls
The real deal...
http://www.givson.com/products5.htm
Made with.... "Toon Ply Wood". None of that Red Spruce and maple nonsense.
Gibson F5 'Harvey' Fern, Gibson F5 'Derrington' Fern
Distressed Silverangel F 'Esmerelda' aka 'Maxx'
Northfield Big Mon #127
Ellis F5 Special #288
'39 & '45 D-18's, 1950 D-28.
I remember Givson. In Gibson history he was Orville's cousin in law Herman Hymick working at the factory as a luthier/record keeper until age 30 when he divorced the Gibson cousin in 1917. Asked to resign on friendly terms he wanted to go out on his own but was forced to sign a non-compete clause and not to use the "gibson" trademark or logo. So the Givson Co. is still going strong today. I did not know that!
I want that "G.B. 10 Synthetic Banjo/Acoustic Mandolin!" Apparently it has "8 String" but only five pegs.
By the way, there is a wood called "toon." Here's what Hawaii Island Hardwoods says about it:
Toon was introduced in 1918 for plantation use. It grows to 50 feet tall and reaches over two feet in diameter. The wood is very lightweight (specific gravity .35), and is reddish brown. The tree is also called “Australian red cedar”, because of the strong aromatic cedar scent of the wood. It carves and turns particularly well. There are several stands in Hawai‘i forest plantations.
And Givson is a musical instrument company based in India, that's done a pretty good job of imitating the "Gibson" logo, and putting it on a variety of South Asian weirdnesses. In a triumph of chutzpah, the Givson website warns, "Beware of Imitation"!
Allen Hopkins
Gibsn: '54 F5 3pt F2 A-N Custm K1 m'cello
Natl Triolian Dobro mando
Victoria b-back Merrill alumnm b-back
H-O mandolinetto
Stradolin Vega banjolin
Sobell'dola Washburn b-back'dola
Eastmn: 615'dola 805 m'cello
Flatiron 3K OM
LOL. And now, here come 100 posts about flowerpots.
The Folkwaymusic site represents the instrument as a 2009 mandolin. Your site would make No. 33 a 2011 instrument. I wouldn´t have any problem with the discussed mandolin being No. 33, I would just like to straighten some possible misunderstanding out.
And, for whoever owned it or has/had it in posession, I would like to hear a soundclip or have the sound and playability reported.
And if money were not an issue, I would probably go and buy either this mandolin (or the early Monte Loar copy, or the Sargent loar copy, or a couple of the Paganonies that were on the Classifieds some time back). But that would just be out of curiosity, cause mandolinwise I´m good.
Olaf
Bernie
____
Due to current budgetary restrictions the light at the end of the tunnel has been turned off -- sorry about the inconvenience.
No I didn't know Mr. Hymick the long term President of Givson but I remember getting catalogs of the Givson Co. in the 70's. I traced back the history in the Gibson archives. At one time theu was really "puttin' them out" surpassing the Gibson Co. production by 10,000 units per year. I think Mr. Hymick wanted to see a real "Givson" in every home or at least in every Pawn Shop.
If one is honest with one's self 90% of the posts in the forum cover a topic that has been beat to death many times before....you just don't search for it or you don't have the best search terms to find it....
This thread has it all.....patent and copy right issues.......a luthier who is brilliant yet appears flawed in the past.....the name Loar and the mystique of the name......hell it even challenges the use of Gibson of their own creations from the past. Sheeesh there is nothing that this forum won't take on....(well almost...Scott has to maintain some form of decorum)...
Reading this thread is better than watching Jerry Springer!!!....there are a few nuggets of knowledge to be discovered.....heck I now know about Herman Hymick......what a piece of knowledge!
Great discussion. Fabulous website. Wonderful job.
Last edited by Mike Romkey; Jan-30-2013 at 10:17pm.
'20 Ellis A5 Tradition, '09 Gilchrist Model 1, “July 9” Red Diamond F-5, '12 Duff F-5, '19 Collings MT2, ’24 A2-Z, ’24 F-2, '13 Collings mandola, '82 D-35, Gibson Keb Mo. http://www.bucktownrevue.com
Bernie
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Due to current budgetary restrictions the light at the end of the tunnel has been turned off -- sorry about the inconvenience.
Has anyone played this instrument yet?
PJ Doland
1923 Gibson Snakehead A
If it's anything like his other Loar clones(with Wiens logos), it's a very special mandolin. I took delivery of my Wiens about 2 weeks ago and have been in a state of mandolin delerium ever since. I had the chance to play 2 or 3 other completed mandos when I went to pick mine up and was totally blown away by every one of 'em. Definately one of the best builders of our time. I would buy that mando in an instant if I had the loot!
It is the ultimate F5 Loar copy for a very reasonable price. I've seen lots and I mean lots of fake Loars and this one has to be my all time favorite for getting it 95% correct. You will not be disapointed with how it plays and sounds. It is much more Loar like than Gibson's recent MM and DMM models that are only 85% correct.
I am amazed at the amount of time and justification we have put into this subject . IMHO, any maker branding an instrument as a Gibson or any other name - Fender - is fraudulent. By the same token should I begin producing quality mandolins and elect to inlay the Weins name, I would consider myself a fraud also. Do we think Weins, Nugget, Gilchrest or Dudenbostel would have concerns should I make a few batches of each as a tribute??
Michael
If someone were to purchase, this instrument, would they be subject to the scrutiny? Better yet if the buyer tries to sell it down the line would it be harder to sell because of the scrutiny? I have always heard good things about Wiens mandolins, just mixed emotions about the man himself. Bottom line it is still a Wiens mandolin.
Dignity, Respect and Love, for who they are, not what they are.
this one should only be bought as a keeper and not an investment for resale in short term. If it is the mandolin you have been searching for than don't consider it for a resale. Keep until you die and let your heirs worry about selling it at a gain or a loss. I would not let the name weigh in on this one since it does not have the Wiens name at the top. Do you tell people you bought it? Probably not. Just let the mandolin speak for itself. You could remove the fake labels if that is a moral issue.
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