Re: Aging mandolins
Every mandolin -- hell, every instrument -- is unique. Add to that the unique history each one has. My arsenal of instruments range from pristine to dragged-behind-a-truck, based on what happened to them before I got them, and what I've done to them in the course of decades of gigging and jamming.
IMHO instruments are tools to make music (and, in some cases, make a bit of money). I suppose a carpenter could have a hammer or a keyhole saw that he/she had used often for twenty years, that still looked the way it came from the store. Probably more the exception than the rule (or ruler).
Played my new Eastman 615 mandola at a picnic a month after I got it, standing in the sun, and the thin Eastman finish softened and my planted pinky (I know, it's a bad habit -- sue me!) wore through. Got it touched up and a li'l clear mylar pickguard glued over the spot. Abuse? I dunno.
Some finishes are more sensitive to temperature change; some necks pull forward under normal string tension while others don't; some tops split when dried down to 25% relative humidity, others hang together. Some manufacturers glue celluloid pickguards to guitar tops, and when the celluloid shrinks from aging, "E string cracks" result where the pickguard pulls the spruce apart (you listening, Mr. Martin?). It's what happens. If you can discern an overall pattern, you're doing better than I am.
Allen Hopkins
Gibsn: '54 F5 3pt F2 A-N Custm K1 m'cello
Natl Triolian Dobro mando
Victoria b-back Merrill alumnm b-back
H-O mandolinetto
Stradolin Vega banjolin
Sobell'dola Washburn b-back'dola
Eastmn: 615'dola 805 m'cello
Flatiron 3K OM
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