Re: Mandolin popularity: nadir or zenith?
Neither nadir nor zenith. Zenith was probably a century ago, maybe a bit more, when mandolins filled mail-order catalogs, mandolin orchestras were being organized, colleges featured mandolin clubs, etc. My paternal grandfather was a mandolin orchestra member back around 1900-05, and I have inherited some of his music books. Then around 1920 the mandolin began a long decline, as far as general pop music was concerned.
Nadir? I'd say in the 1940-1960 period, when Gibson discontinued many of its models, as did other manufacturers, and mandolins were limited to certain types of ethnic music, and to the just-started hillbilly sub-genre of bluegrass. The folk revival of the late 1950's and early '60's, which brought tradition-based musics like bluegrass into broader notice, started a revival of interest in the instrument.
Current situation is really pretty good, if not "zenith-ish." I will say that I have never seen such a broad range of excellent instruments available, from top-line factory-built and luthier-made instruments, to reasonably-priced and quite serviceable imports at the entry level. When I got my first mandolin around 1970, there was little to choose from, and the older Gibsons that everyone seemed to want, were hard to find. When I bought my first F-2 in 1972 or '73, the dealer demanded a Gibson mandolin in trade for any that he sold, and took my "attic find" A-1 in exchange.
Many of us don't seem to realize how fortunate we are, to be able to choose among a variety of available instruments. There are still broad stretches of "mandolin desert" where no dealers seem to carry them, but with the internet we still have many more options than even 25 years ago. If it's not a "zenith," at least it's a high-level plateau...
Allen Hopkins
Gibsn: '54 F5 3pt F2 A-N Custm K1 m'cello
Natl Triolian Dobro mando
Victoria b-back Merrill alumnm b-back
H-O mandolinetto
Stradolin Vega banjolin
Sobell'dola Washburn b-back'dola
Eastmn: 615'dola 805 m'cello
Flatiron 3K OM
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