Looking at the posts, there seems to be a nice relationship between the jazzmando folk and the mandoCafe people in these posts…so I’d like to ask some questions about theory brought up on page:
The page http://www.jazzmando.com/ii_v7_i_home_positions.shtml made the point that three note chords—all on the lower strings—was a worthwhile way to approach the mando because you could “use your pinky for the “funny business” of extended chords…”
The page goes on to specify (Major Patterns) three three-note chords (top string “x’d” out) and then goes on to specify 15 more unique chord positions using all four strings.
Question: I thought the whole idea of this page’s train of thought was to specify 3-note chords. Are the last 15 chords a continuation of the “three-note chord” theme, with the 4th string a suggested completion of the chord, or what?
Thanks
Bookmarks