Also, here is a shot of us pore filling flammed Koa bindings. Not sure if it was necessary to pore fill, but figured it couldn't hurt!
Also, here is a shot of us pore filling flammed Koa bindings. Not sure if it was necessary to pore fill, but figured it couldn't hurt!
Pierce Luthiery - pluthiery.tumblr.com
Love those hooked F-holes, Steve. Does the mandolin have an open scroll?
Hereby & forthwith, any instrument with an odd number of strings shall be considered broken. With regard to mix levels, usually the best approach is treating the mandolin the same as a cowbell.
Blessings,
Kip...
If you think you can or think you can't... you're likely right!
Eastman MD515, amid many guitars and a dulcimer.
Max, nice looking binding! That mandolin is going to look great!!!
Steven, your sound holes really compliment the lines of your mandolins!!
Hi Guys, here's the next one- cocobolo back & sides with a red spruce top and a cocobolo rosette.
Tomorrow I route!
Cheers Gary.
http://www.navaguitars.co.uk/mandolins.html
Nice Cocobolo on that one Gary!
Buffing this one out today......
A little bear claw in the grass, or what should be grass and not weeds.
Steve, beautiful and unique design executed wonderfully!
Magnificent back and sides, Gary!
Max, that is beautiful! I love the contrast between the top and the Ebony of the fretboard and peghead overlay. Really nice.
This thread continues to be very dangerous territory for those of us particularly susceptible to MAS and its related afflictions.
Keep up the great work all!
c.1965 Harmony Monterey H410 Mandolin
"What a long, strange trip it's been..." - Robert Hunter
"Life is too important to be taken seriously." - Oscar Wilde
Think Hippie Thoughts...
Gear: The Current Cast of Characters
That two point is up my alley. Inspires me to start building again rather than messing about.
"The Beauty of Grace is that it makes life Unfair" - Relient K
"THEY'RE HERE!!! THEY'RE HERE!!! the Albino Brain Chiggers!" - Harry from 3rd Rock
Just got this one strung up yesterday. Just a few more tweaks on the setup and she is done! Modeled after the Ms. Griffith A5, but on the red side.
That A is a real beauty Max. I'd love to play it or hear it.
Dan Voight
dan@voightmandolins.com
www.voightmandolins.com
https://www.instagram.com/danvoightmandolins/
http://www.facebook.com/pages/Voight...37319912963274 Voight Mandolins Facebook
Hereby & forthwith, any instrument with an odd number of strings shall be considered broken. With regard to mix levels, usually the best approach is treating the mandolin the same as a cowbell.
I hope I'm not posting too much! Just doing my part to make this one of the longest threads on the forum! We just stained an A5 that features a black top, bursty sides back and neck and flammed Koa wood bindings. This one will be going to a repeat customer as his 4th order! These photos were taken after a couple of coats of shellac where applied as a sealer. The plan is to get it into finishing tomorrow, as long as I can figure out how to replace the bad bearings in my spray booth.
Gorgeous Max!
The contrast between the top/binding/rim is spectacular (especially as seen in pics 5 & 6).
c.1965 Harmony Monterey H410 Mandolin
"What a long, strange trip it's been..." - Robert Hunter
"Life is too important to be taken seriously." - Oscar Wilde
Think Hippie Thoughts...
Gear: The Current Cast of Characters
Lovely, instrument, Max.
Bill
That's mighty cool Max! I made few with flamed maple bindings and it is major PITA to keep the color away from the binding. I wonder how did you aproach this... sealed with lacquer or masked, or both? Or color in the finish?
Adrian
Hi Adrian, you are right, major PITA.
First we did a pore fill on the koa bindings as they had large pores. Then Lauri masked off the whole instument and painted shellac onto the bindings. I think she did three coats. Then she took all the tape off and stained by hand as usual. Unfortuanatly everywhere the pore fill (z poxy) touched maple, it also seeped into the wood rejecting the stain. So out came the air brush with some dyed shellac, and that fixed the problem. Next time I don't think we will use the epoxy pore fill and just brush on a heavy cut of shellac. Once the staining was done, we scraped with a razor blade to reveal the bindings again. Then we seal coated the instrument with a few coats of pure shellac. It was our first time with wood bindings so we learned a lot from this experience.
Arnt Rian
Rian gitar og mandolin
Arnt Rian
Rian gitar og mandolin
Nice Arnt.
Bill Snyder
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