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Thread: 10 Questions For John McGann

  1. #51
    Administrator Mandolin Cafe's Avatar
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    Default Re: 10 Questions For John McGann

    Noting the anniversary of this feature.

  2. The Following 3 Users Say Thank You to Mandolin Cafe For This Useful Post:


  3. #52

    Default Re: 10 Questions For John McGann

    I miss John's valuable contributions to the Cafe. Thanks Scott and RIP John...

    Len B.
    Clearwater, FL

  4. #53
    Registered User grassrootphilosopher's Avatar
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    Default Re: 10 Questions For John McGann

    Quote Originally Posted by lenf12 View Post
    I miss John's valuable contributions to the Cafe. Thanks Scott and RIP John...

    Len B.
    Clearwater, FL
    Yes, very much.

  5. #54
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    Default Re: 10 Questions For John McGann

    Thanks - good chance to re-read!

    This comment:
    "Tone. By playing with the pick "down toward the top," using rest strokes rather than letting the pick fly up into the air, the string can vibrate more efficiently, making the bridge, top, braces, back and sides (the box) do its thing in creating a warmer, richer, darker sound. For most people, this is as good as or better than buying a new instrument. Time after time I see faces light up when this revelation is made."

    I'm having trouble visualizing what he means. Can anyone explain?

    Thanks

    Rob
    Follow the Flatt Stanley Incident on Facebook

    Listen to original tune "When You Fly" by my old band The Kindreds

  6. #55
    harvester of clams Bill McCall's Avatar
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    Default Re: 10 Questions For John McGann

    Pick the E string and strike the finger rest with the pick. That’s an exaggeration of a rest stroke stopping on the lower string.

  7. #56

    Default Re: 10 Questions For John McGann

    Quote Originally Posted by RobP View Post
    Thanks - good chance to re-read!

    This comment:
    "Tone. By playing with the pick "down toward the top," using rest strokes rather than letting the pick fly up into the air, the string can vibrate more efficiently, making the bridge, top, braces, back and sides (the box) do its thing in creating a warmer, richer, darker sound. For most people, this is as good as or better than buying a new instrument. Time after time I see faces light up when this revelation is made."

    I'm having trouble visualizing what he means. Can anyone explain?

    Thanks

    Rob
    McGann was essentially teaching the Django Reinhardt picking technique. Watch some videos of guitarists using that style and it will be clear. The Cafe also has some archived stuff from McGann.

    https://www.mandolincafe.com/archives/django1.html

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