A piccolo mandolin arrived in the mail this PM from Alfred Woll. Runs cgda low to high; of course low is a relative term here.
Scale is about 250; if you lay it bridge to bridge with a regular bowlback, the nut hits the big boy at the 5th fret. Uses regular strings to work its magic. The tuners are sized to match the instrument; it's nearly impossible to get normal fingers in there to turn the buttons. There's three screw holes on each plate, but no way to get the middle screw into the hole - gear and wormdrive are in the way.
Fifteen ribs plus two, alternating mahogany and what might be poplar. (It has a greenish cast, but grain is similar to mahogany; might just be a contrasting stain). Inlaid rosewood pickguard, rosewood board with 17 frets.
Intonation dead on. Construction quite nice. Tone is brilliantly treble; it can approach shrill if you want to irritate the audience, but it has a sweetness to it.
It even has a case obviously built to fit.
My hands are almost too big to play it, seemingly, but it is an absolute gas to mess with. Victor could probably stop all four courses with a fingertip.
The tone has much of the particular sound of the baglama, but not so lacking in overtone, due to the much larger bowl and soundboard.
I hope to persuade someone to do some digiphotos of the whole batch.
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