That sounds like a good idea for your mandolin, engaging more stud length would increase stability for sure.
BTW, I fit my bridge to the top with a slight back angle (like a violin) to bisect the break angle, which helps to keep it from being pulled over.
Just how many of these type F5s do you make a year? Do you realize if you only changed details on about 4 areas yours would be more like a Loar than the current MMs at Gibson? I've not seen an MM or DMM with that near perfect of a Loar color come out of Gibson since Mr. Loar left the place.
I have a feeling that if you keep going and refining the minute details you will surpass all Loars and your mandolins will be more accurate than the originals.
Wonderful stuff, Bill. Keep up the good work. You are not even listed in the builder list -- at least that I could find.
Jim
My Stream on Soundcloud
19th Century Tunes
Playing lately:
1924 Gibson A4 - 2018 Campanella A-5 - 2007 Brentrup A4C - 1915 Frank Merwin Ashley violin - Huss & Dalton DS - 1923 Gibson A2 black snakehead - '83 Flatiron A5-2 - 1939 Gibson L-00 - 1936 Epiphone Deluxe - 1928 Gibson L-5 - ca. 1890s Fairbanks Senator Banjo - ca. 1923 Vega Style M tenor banjo - ca. 1920 Weymann Style 25 Mandolin-Banjo - National RM-1
I'm not making any right now, Tom -- I reached the end of my client list a while back and am doing just bows now, which is fine. The mandolin thing has always been more of a hobby with me, which gives me a lot of time to think about them in the off months.
I would be grateful for your input on details, Tom. Anything to bring about the look & feel of the originals is very welcome, and perhaps of interest to other readers of this thread as well.
John Hamlett
www.hamlettinstruments.com
You didn't say if you still have this one or sold it. If you still got it make a trip down South to NC and we can sit and compare lots of details. I couldn't be more serious about your Cremona shading. Find me a MM that close.
Those mandolins were all made to order, Tom. However, I did make an extra one for myself, I'll put a few shots of it here. There's a bit of a color shift in these photos, it's not this orange. I always struggle with that in the camera. At any rate, I think the vignette is a bit too contrasty for my taste.
http://www.mandolincafe.com/forum/images/attach/jpg.gif http://www.mandolincafe.com/forum/images/attach/jpg.gif http://www.mandolincafe.com/forum/images/attach/jpg.gif http://www.mandolincafe.com/forum/images/attach/jpg.gif
Oops, don't know why all the url's in blue -- not so good at the computer...
OUCH! Fantastic work Bill...
I'll have some sweet dreams after seeing these tonight, Bill! Thanks for posting this tasty piece.
Also, I've been trying to learn to engrave my own t/p covers in the old style:
http://www.mandolincafe.com/forum/images/attach/jpg.gif
Dang...well, there's the blue url again... clues, anyone? (he's not so bright...)
wow. Bill, you are a true craftsman.
Mandolin, Guitar, & Bass for Doug Rawling & The Caraganas
www.dougrawling.com
2008 Kentucky KM-1000
2014 Martin D-28 Authentic 1937
1964 Gibson LG-0
2022 Sigma SDR-45VS
John Hamlett
www.hamlettinstruments.com
You need to post the link into the add photo box as a url, I think, rather than just pasting the link.
Jamie
There are two things to aim at in life: first, to get what you want; and, after that, to enjoy it. Only the wisest of mankind achieve the second. Logan Pearsall Smith, 1865 - 1946
+ Give Blood, Save a Life +
Phenomenal work Bill.
'02 Gibson master model #70327 02-01-02
'25 Gibson A-4 Snakehead #82626
'06 Hicks #1 and #2 F-5 still not done
Gibson F-5 Master Model Registry
think Scott recently posted a link to a video for how to do it yourself.
Jason Anderson
"...while a great mandolin is a wonderful treat, I would venture to say that there is always more each of us can do with the tools we have available at hand. The biggest limiting factors belong to us not the instruments." Paul Glasse
Stumbling Towards Competence
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