Thank you everyone.
I forgot to add a little about the violins history. The previous owner, Harry Clapperton, worked for the White Star Line company. He was a violinist on their ship the Adriatic. His grandchildren and nephews remember him telling them that he was supposed to be in the Titanic but missed it somehow. We will never know the details, but it’s fascinating. The Adriatic was used to retrieve Titanic survivors and bring them home. If musical instruments could speak......
Whoa, what a story!
I had a rather long conversation with a friend of mine who is a prominent collector a few years back. We realized that we had indeed collected instruments but treasured even ones that we sold since we still collected the stories attached to them.
Jim
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19th Century Tunes
Playing lately:
1924 Gibson A4 - 2018 Campanella A-5 - 2007 Brentrup A4C - 1915 Frank Merwin Ashley violin - Huss & Dalton DS - 1923 Gibson A2 black snakehead - '83 Flatiron A5-2 - 1939 Gibson L-00 - 1936 Epiphone Deluxe - 1928 Gibson L-5 - ca. 1890s Fairbanks Senator Banjo - ca. 1923 Vega Style M tenor banjo - ca. 1920 Weymann Style 25 Mandolin-Banjo - National RM-1
Sure violin repair is well ahead of mandolin or guitar repair standards. However, I wouldn't agree with the added value. Violin with such cracks would be practically unsaleable in classical violin world. Bass bar crack devalues violin at least by 50% no matter how well it is repaired and soundpost crack even more, this one being extremely nasty as it appears that he soundpost pierced the top and took ugly piece of wood with crossgrain cracks with it. Unless the violin is really something highly collectible (old italian) it is worth just as much as a nice "player grade" Markneukirchen/Mittenwald/etc. instrument.
Adrian
Adrian, you are completely wrong. Well restored top cracks do not reduce the value 50%. That is absolute rubbish. This violin has been appraised at a price over 10X what a cheap German violin is worth. The repairs this violin has are not too uncommon for something this old.
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