On the Sam Bush CD, and he's pretty much familiar with Big Mon's style to say the least. He teaches it as two downstrokes and an upstroke accentuating the lower pitched string(s) on the downstrokes and the higher pitched string(s) on the upstroke. It can be done using a doublestop a tripple stop or all the strings (your two finger chords come in real handy here). It comes out sort of like ONE, TWO and, ONE, TWO and .... where the "ONE" = one beat and the "TWO and = one beat. It is done ON the beat and sustained, not chopped at the off beat and muted. It is fairly easy to do on the A and E strings, but gets a little tricky when trying to do it on just the D and the A strings. It takes more pick control than I have at this point to do it at more than a slow pace and not get all tangled up in the adjacent strings.
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