I'm a Gallatin fan, esp the appearance. I like the mahogany backed ones.
Congrats on your new dola!
Let us know when you can play three of those at once, eh? ;-)
stv
I'm a Gallatin fan, esp the appearance. I like the mahogany backed ones.
Congrats on your new dola!
Let us know when you can play three of those at once, eh? ;-)
stv
steve V. johnson
Culchies
http://cdbaby.com/Culchies
The Lopers
Ghosts Like Me
http://cdbaby.com/Lopers1
There Was A Time
http://cdbaby.com/Lopers2
This is my Alan Perlman OM. The builder is fairly well known for his flat top guitars, but I do not believe he has built many octave mandolins. Note bridge pins. This is a great sounding and very beautiful instrument, but has a fairly long scale for this mandolin player.
Johneeaaddgg
AND... this one is my Levin mandola, or as the Swedes would say, a tenor mandola. There is a similar one in the 1952 Hagstrom catalogue posted on the Hagstrom UK website - www.hagstrom.org.uk - a really neat site to visit if you are interested in Hagstroms (and you should be). Seems Hagstrom acted as a distributor for Levin at the time.
Levin is an interesting company, which was bought out by Martin around 1970 and then closed in the late 1970s. I have never seen another Levin mandola, although perhaps they are more common in Europe? I have seen a few Levin flat top guitars and one Levin mandolin which looked a lot like my mandola including the sunburst finish, flat top, and oval soundhole.
Johneeaaddgg
Hi there - first time poster and thought I'd show you all my lovely Jack Spira 'Zook, made here in Aus. It's a gorgeous, balanced tone - subtle or bold - depending on what you need .... & the workmanship is superb.
Jack built it for me back in '98 - and I asked for a guitar scale-length which works beautifully. Tasmanian Blackwood back and sides, Sitka Spruce top & Ebony board.
The A.G.A pick-up had a custom saddle-transducer made and it works a treat. I quite like using it plugged in, with my little trio (two fiddles).
Great seeing all the other fantastic instruments, too!
(Apologies - the Spruce comes up a little over exposed!!)
Cheers..
P.S - Great, friendly Forum !!
Hello Pulgar,
a warm welcome to the forum. This is a beautiful Bouzouki. How is it tuned?
I´m always a little bit jealous about the wonderful domestic woods that you have in AUS.
Do you have recordings from your trio? I´d be interested to hear this combination.
Hi Pulgar,
Welcome and thanks for the pix. Jack sure does build nice stuff, congratulations on that one.
The indigenous woods are great, too.
stv
steve V. johnson
Culchies
http://cdbaby.com/Culchies
The Lopers
Ghosts Like Me
http://cdbaby.com/Lopers1
There Was A Time
http://cdbaby.com/Lopers2
"Onion-on-a-stick look"... too true....LOL
You crack me up Steve...
still trying to turn dreams into memories
Crossposted in 'post a video of yousef'
http://www.youtube.com/watch?v=9jFxMfQST9k
Walnut/Engelmann spruce GOM
In the notes for BB's video it says...
"A tune performed at the 1792 Belfast harp festival..."
Wow, that's a great looking video for the 18th century!!!
stv
steve V. johnson
Culchies
http://cdbaby.com/Culchies
The Lopers
Ghosts Like Me
http://cdbaby.com/Lopers1
There Was A Time
http://cdbaby.com/Lopers2
(fail for now, pics later)
Last edited by Patrick Gunning; Feb-04-2009 at 5:53pm. Reason: Attachments not working
2nd time's the charm...
Ok, I got this a couple months ago, but I never shared it down here in this thread. Also, I have a new mic, and thus new soundclips of my octave mando having opened up a bit.
This is an Arrow octave mandolin built by Paul Lestock. 22 1/4" scale length. Red spruce top. Month-old strings (ugh)...
For your viewing/listening pleasure... Oh, and the soundclip is a solo arrangement (in GDGD tuning) of a song by Swedish band Vasen called Bjorkbergspolskan off their album "Live in Japan," which I highly recommend.
Wow, splendid instrument and a beautiful arrangement of that tune!
Those old, old strings, tho... yeah, pretty ratty...
LOL!
stv
steve V. johnson
Culchies
http://cdbaby.com/Culchies
The Lopers
Ghosts Like Me
http://cdbaby.com/Lopers1
There Was A Time
http://cdbaby.com/Lopers2
Technology's not advanced far enough, or else I would download the whole instrument. Now there's a beauty. Good, clean sound, too - can't hear the string age at all.
If that is opening-up just beginning, you have something to look forward in the future...
Simply outstanding, bursting my eyes and ears.
Bertram
the world is better off without bad ideas, good ideas are better off without the world
Excellent tone and playing! I like the bass on this instrument. Deep but not muddy. Great for solo work.
Thanks for sharing
Avi
Wow. That's an amazing instrument you've got there. It looks amazing, sounds fantastic (helps that I'm a big Vasen fan), and you can't even tell how old the strings are! I've had a bad case of the 'cello version of MAS for a long time, but that just made it worse.
wonderfully done, Patrick
a fine axe, well played.
thanks for sharing this.
Karen Escovitz
~~~~~~~~~~~~~~
Otter OM #1
Brian Dean OM #32
Old Wave Mandola #372
Phoenix Neoclassical #256
~~~~~~~~~~~~~~~~~~~
If you're gonna walk on thin ice, you might as well dance!
Very nice arrangement! It shows the richness of the instrument and its player.
still trying to turn dreams into memories
New Navy Mandola in Walnut and Carpathian spruce going to Jon in Vermont.
I'd like to do one of these as a 'cello. Any advice about scale length?
Patrick, that was astounding! The recorded sound is as good as anything going! I had to plug it into my home stereo for the full image and HOLY SMOKES!!! That sounds fabulous! Beautiful instrument but most importantly that was some tasty playing!!! Encore, encore!!!
Pics of my early (1981) Grit Laskin OM. 20 inch scale length. It was built for the owner of Unicorn Tonewoods in Toronto, hence the inlay. Its Macasser ebony back/sides.
That's peculiar. A 10-stringer I'd normally call a cittern, not an OM, though the scale length seems very short for a cittern. On the other hand, one string seems to be missing - should we call it a Waldzither, then? The fretboard looks very wide compared to the body - what is the width at the nut? How is the instrument tuned? Soundclip? What is the bridge made of?
So many questions, so much curiosity...
Bertram
Last edited by Bertram Henze; Feb-08-2009 at 5:30am. Reason: more questions, coming...
the world is better off without bad ideas, good ideas are better off without the world
Left to right.
Gypsy Spirit - spruce & maple.
Petersen Level 2 bouzouki - spruce & rosewood with redwood rosette and maple binding. 25.4" strung in octaves and tuned GDAD.
Flatiron 3MC - spruce & flamed maple. 23.5" strung in unison and tuned GDAE.
All keepers.
One day I'll add a nice woody sounding walnut OM.
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