I was finally able to put it down long enough to get a camera, learn to use it, then learn to post pictures. Voila!
I was finally able to put it down long enough to get a camera, learn to use it, then learn to post pictures. Voila!
Fred
cool binding treatment
Fred
This shot is a little dark, but the color should look a bit more like the front.
Fred
This might help....
Orcas Island Tonewoods
Free downloads of my mandolin CDs:
"Mandolin Graffiti"
"Mangler Of Bluegrass"
"Overhead At Darrington"
"Electric Mandolin Graffiti"
Congratulations! As the proud owner of two of Lawrence's mandolins I can tell you that without a doubt you will grow to love your mandolin more and appreciate Lawrence's artistry with every passing day. They are truly amazing and inspirational instruments!!!
Best of luck with it!
Wayne
Bluegrass ... "It's Folk Music With An Overbite" (Robert Shelton)
www.waynefugate.com
Nice looking mandolin Bruce! How's it sound?
..very nice...if she sounds as good as she looks then youve got it made...
It ain't mine, Dan...
I was just brightening up the picture for onlyagibsonisgoodenuff
so we could see the maple..
Gotta be able to see that maple...
Onlyagibsonisgoodenuff--is that red maple?
Orcas Island Tonewoods
Free downloads of my mandolin CDs:
"Mandolin Graffiti"
"Mangler Of Bluegrass"
"Overhead At Darrington"
"Electric Mandolin Graffiti"
I don't really know much about wood, so I couldn't tell you. The picture of the back isn't much lighter than my picture of it, certainly not as light as the second pic. It's a great sounding mando, being as it's x-braced it sounds great sooner than perhaps a tone-bar mandolin. I will have to play it a lot, though so I'll get maximum enjoyment from it before it goes muddy!
Fred
Lawrence uses a modified x-brace that is really more of a cross between x-bracing and the tone bar approach. I can't speak with any authority about whether or not a true x-braced mandolin truly gets "muddy" sounding over time but I can tell you that neither of my two Smarts sound the least bit muddy. Both have opened up beautifully and really sing. They are spectacular instruments in every sense of the word! I think you're in for a very long, very happy ride with your new ALS!
Best,
Wayne
Bluegrass ... "It's Folk Music With An Overbite" (Robert Shelton)
www.waynefugate.com
........aparently not only a Gibson is good enough!
2015 Chevy Silverado
2 bottles of Knob Creek bourbon
1953 modified Kay string bass named "Bambi"
Actually, of the three F-5's I have, only one is a Gibson. But it's a good one.
Fred
Of the three F-5's I have, one is a Lawrence Smart and it's a good one too!
2015 Chevy Silverado
2 bottles of Knob Creek bourbon
1953 modified Kay string bass named "Bambi"
beautiful mandolin... I love that color and sunburst.
how is that pickguard mounted?
Looks like mine, which is an abbreviated pickguard that mounts with two small pins in the side of the fretboard. No mounting brackets.
If you look real close, you can see a little screw just under the pickguard. There is another one about an inch in back of that one.Originally Posted by (gdae_boy1 @ June 25 2004, 19:17)
Fred
My Smart's aren't F's....... but two points.......and they sound fabulous!
Check 'em out: http://www.smithfowler.org/music/mandolin/smart/
I like the binding treatment, what would you call that double pin-striped?
Top and side?
anyway it looks great...
Lawrence refers to the binding as "mitered binding". I've never seen binding that comes up to the point, goes across it and then back the other way, forming a box on each side of the points. Also, the binding on the fingerboard has the stripes on the top edge, rather than on the sides of the fingerboard. All, in all, Lawrence builds some pretty cool instruments which have his ingenious trademarks, yet remain very traditional to the casual observer!
Fred
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