Hi all,
I haven't seen the research Eugene, though I would certainly be interested to learn more.
I'm on my way out the door, and can only offer one data point. #I recently had a 1793 G.B. Fabricatore Neapolitan fully restored to playing condition. #In fact, it was through this instrument that I was originally introduced to this list, and many of you. #In any case, I have it strung with a (presumably) historical set from Dan Larson (gut e's, brass a's, twisted brass d's, and gut/silver g with a brass octave). #
On this original instrument, I am more comfortable with the sound of this string set than I have ever been before. #In fact, I am not the least bit tempted to change it... I am trying very hard to let the instrument, strings, plectrum, and music guide my playing, rather than the other way round.... If that makes any sense. #In short, count me firmly amongst the "Twisted D, Octave Bass" crowd... though I haven't inflicted my playing on anyone publicly yet... :-)
I agree though, that the "evidence" is thin around such things. #Though the one 1770s source is rather clear on the matter, the Neapolitan instrument clearly went through a drastic evolution in a relatively short number of decades in the 18th century. #Its stabbing in the dark, but I would presume that stringing probably went through some changes too. Now, as to what those might be...
Best,
Eric
ps - If anyone is interested, I do have permission from the luthier to post some photos of the Fabricatore restoration.
pps - Ali. #Congrats on the new Axe! #It looks wonderful.
"The effect is pretty at first... It is disquieting to find that there are nineteen people in England who can play the mandolin; and I sincerely hope the number may not increase."
- George Bernard Shaw, Times of London, December 12, 1893
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