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Thread: Flatbacks of note

  1. #451
    Full Grown and Cussin' brunello97's Avatar
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    Default Re: Flatbacks of note

    A lone voice crying in the wilderness.... I was going to say that I thought that repaired center line crack looked a bit off.

    Currently up over $300 by current dollar-to-pound currency rate. Should I wait until after tomorrow's vote to see if the cambio improves?

    Mick
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  2. #452
    Full Grown and Cussin' brunello97's Avatar
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    Default Re: Flatbacks of note

    Despite myself I launched a desultory snipe bid and wound up winning this B+J Victoria mandola. The seller thinks Regal-made and I have no reason to doubt him, though I haven't poked around in Bob Carlin's book at all to see if there is any confirmation there.

    It arrived yesterday in VG condition, better actually than the seller implied. It's quite enjoyable to play bright and loud though perhaps not as nuanced as the Truax 'spinet' bowldola I have, which is the only day-to-day functioning CGDA I have at the moment. Seems like I've been fussing with the frets on my Puglisi mandola forever (longer even than the full sized bowldolas I have waiting for repair.)

    Really enjoying the "Regal" which has reminded me how much I like that lower end. We saw the PEI band Vishten at the Ark here in AA a couple weeks back and one of the sisters (or maybe both) played a cittern or OM or something big (I had a pint or two in me and my glasses off) which sounded great. Well everything they played sounded great. I guess I have them to thank for even tossing in a bid on this. This all has me in mind for a proper OM.

    Mick
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  3. #453
    Mando-Accumulator Jim Garber's Avatar
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    Default Re: Flatbacks of note

    That is a nice one, Mick. I like the shape of the pickguard and I always liked that Regalian headstock shape as well. Nice and simple but appealing. Glad to hear that it plays and sounds well also.
    Jim

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  4. #454
    Registered User DavidKOS's Avatar
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    Default Re: Flatbacks of note

    brunello97 , lovely mandola, enjoy playing it!

  5. #455

    Default Re: Flatbacks of note

    looks good.

    it's all about that bass ...

  6. #456
    Butcherer of Songs Rob Zamites's Avatar
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    Default Re: Flatbacks of note

    Nice instrument, and the Ark is a great place for shows! Enjoy playing her!
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  7. #457
    Mando-Accumulator Jim Garber's Avatar
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    Default Re: Flatbacks of note

    Nice, Mick. I would say Regal too by that headstock. I love the lower end instruments that truly have soul! Enjoy.
    Jim

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  8. #458
    Mando-Accumulator Jim Garber's Avatar
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    Default Re: Flatbacks of note

    Mick: I found this page of Harwood mandolins in a 1926 JW Jenkins Co catalog. They resemble your simple mandola, at least in style and prob were made by the same maker, likely Regal.

    BTW what is the scale on your mandola?
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  10. #459
    Full Grown and Cussin' brunello97's Avatar
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    Default Re: Flatbacks of note

    Thanks, Jim and Rob. The scale is 16.5" mas o menos.

    The Harwood mandolin images do look pretty much dead-on for the Regal mandolin shown on pg 72 of Bob Carlin's book. He has a page from the "Progressive Musical Instrument Corp." and makes note that the Model 110 was labeled for Harwood and Ditson as well.

    Page 71 of Bob's book shows a Regal Mandola model 2365 which looks dead-on for mine with the B+J Victoria label. Mahogany stain on birch, etc. $10.00.

    That's not a lot of money even in 1928 bucks. The CPI inflation calculator maps that out to $128 in 2014. I paid too much!

    It does play and sound nicely.

    Mick
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  11. #460
    Full Grown and Cussin' brunello97's Avatar
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    Default Re: Flatbacks of note

    Another interesting flatback mandolin under the label H Webb. Seller says label reads:

    "Estab. 1886, H. Webb, Princess St., W' Hampton"

    Appears to have a similar headstock and side sound portals as the other Webb example from a few years back.

    English Walnut?

    Mick
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  13. #461
    Mando-Accumulator Jim Garber's Avatar
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    Default Re: Flatbacks of note

    Interesting, Mick. I also wonder why the seller says Edinburgh. I am no expert on UK geography but a quick search put Hampton as a suburb of London. That back button is very elongated.

    Here are a few more picks of the other Webb I have in my files from 2008 (same as the one you link to). The neck joint/button looks less elongated on this older one.
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  14. #462
    Full Grown and Cussin' brunello97's Avatar
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    Default Re: Flatbacks of note

    Yeah, Jim, either something went awry or else the designer wanted to make sure that neck wouldn't bend! Hard to imagine playing above the 5th fret on this one.

    Brings to mind the old baseball player Walt "No Neck" Williams.

    Mick
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  16. #463
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    Default Re: Flatbacks of note

    Quote Originally Posted by Jim Garber View Post
    Interesting, Mick. I also wonder why the seller says Edinburgh. I am no expert on UK geography but a quick search put Hampton as a suburb of London.
    Hi Jim -the most famous Princess St. in the UK is in Edinburgh, so i guess that's why. 'Princess St., W' Hampton' suggests to me Wolverhampton though -and there is a Princess St. there.

    I used to live close to Hampton, come to think of it I used to play in an Irish session there, and I don't recall a Princess St. -also W. Hampton doesn't exist as such, it's Hampton, Hampton Wick or Hampton Court. Too much useless information

  17. #464
    Mando-Accumulator Jim Garber's Avatar
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    Default Re: Flatbacks of note

    Thanks, Derbex!!
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  18. #465
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    Default Re: Flatbacks of note

    Here's a Martin made Ditson labeled flatback with some of the Martin B model wood and details. I had one of these for some time and my example wasn't quite up to the sound quality of the other Martin Bs I have played. Could have been a one-off aberration.

    This one does have the split cone neck joint detail sometimes referred to here as a 'volute'. Jim, I am now on board with the term. A bit confusing, perhaps, but grounded in the fossil record.

    Mick
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  20. #466
    Registered User mandrian's Avatar
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    Default Re: Flatbacks of note

    Hi,

    Bit late to this thread, but note that the famous street in Edinburgh is Princes Street, not Princess Street.

    Regards,

    Quote Originally Posted by derbex View Post
    Hi Jim -the most famous Princess St. in the UK is in Edinburgh, so i guess that's why. 'Princess St., W' Hampton' suggests to me Wolverhampton though -and there is a Princess St. there.

    I used to live close to Hampton, come to think of it I used to play in an Irish session there, and I don't recall a Princess St. -also W. Hampton doesn't exist as such, it's Hampton, Hampton Wick or Hampton Court. Too much useless information

  21. #467
    Registered User Tavy's Avatar
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    Default Re: Flatbacks of note

    Been a while since anyone posted here.... not sure if this one is noteworthy so much as just strange...

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  22. #468
    Mando-Accumulator Jim Garber's Avatar
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    Default Re: Flatbacks of note

    It looks like the mandolin wants to eat that butterfly. That is a bit odd. Maybe the maker was working from memory and forgot that the scratchplate is usually under the soundhole instead of the opposite.
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  24. #469

    Default Re: Flatbacks of note

    deep-dish mandolin ... severe looking saddle on the neck. hope it doesn't sound like it looks.

  25. #470
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    Default Re: Flatbacks of note

    Quote Originally Posted by billkilpatrick View Post
    deep-dish mandolin ... severe looking saddle on the neck. hope it doesn't sound like it looks.
    Probably far worse

  26. #471
    Mando-Accumulator Jim Garber's Avatar
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    Default Re: Flatbacks of note

    I love the looks of these oddball harp mandolins. This one is from the esteemed Puglisi shop.

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    Jim

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  27. #472
    Full Grown and Cussin' brunello97's Avatar
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    Default Re: Flatbacks of note

    This one is exceptionally coolioso, Jim, even for Puglisi. The Dali references go without saying.

    The back is one nice looking slab. Rosewood?

    Mick
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  28. #473

    Default Re: Flatbacks of note

    Here's a goody - go get 'em, tiger:

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  29. #474
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    Default Re: Flatbacks of note

    Quote Originally Posted by billkilpatrick View Post
    Here's a goody - go get 'em, tiger:

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    Gulp!

    Not sure whether to run away screaming or not...

  30. #475

    Default Re: Flatbacks of note

    According to Dave Hynds, "Cyrano" was a German trade mark. What's interesting is the 5th course - a single "C," I assume. Never seen that before:

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