Yes, this *is* a wonderful book, and a joy to look at. #I'm fortunate to have finally gotten a copy (after over-subscribing the copy from the local library, and then waiting for over six months on multiple Bibliofind/Alibris lists, and finally paying through the nose!) #I'm afraid I wouldn't lend my copy (I'm just that stingy) but most any decent University library should have one.
The book includes several drawings that analyze mandolins of various types:
- A lovely four-course mandore (Cite de la Musique, E.222), presumably circa 1640 (?)
- The five-course mandolino ascribed to Stradivarius (Beare collection), presumably circa 1710 (?)
- A lovely and early Johannes Vinaccia Neapolitan mandolin (1753)
There are, of course, many other wonderful instruments (lutes, viols, violins, etc.) that are analyzed as well, some quite interesting. #The book is also very well written and researched, IMHO, and rather fun to read. #Not everyone agrees with the extent of Mr. Coates' conclusions on how these instruments were "drawn", but I must admit to being an enthusiastic follower.
Luthiers in early times were often depicted in paintings and woodcuts with a compass or divider... To me, proportion is everything in this business...
Eric
"The effect is pretty at first... It is disquieting to find that there are nineteen people in England who can play the mandolin; and I sincerely hope the number may not increase."
- George Bernard Shaw, Times of London, December 12, 1893
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