Ever tried, ever failed? No matter. Try again, fail again. Fail better.--Samuel Beckett
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I am a luthier specialising in historical and world stringed instruments. You can see more info at my website.
It's a "Wolle" plectrum, made in Germany. For me, they work really well as they produce almost no pick noise and make the strings sound a bit mellower. I think they're intended to be used with flatwound strings. The material is some sort of rubber/plastic mix, thick but still flexible.
As of now, they seem to be sold more or less exclusively here: https://schneidermusik.de/shop1/prod...65/language/en
They come unpolished and with sharp edges though, so you need to sand them down and polish them yourself to a preferred shape.
I got mine via Trekel, they offered to sand them down and polish them before shipping for a little extra charge, but unfortunately they had to shut down their business.
Those picks are perfect for the mellow sounds the German school players prefer along with the Thomastik strings. Just the opposite of Italian styles of playing. Matter of choice and taste of course. The German bowlbacks are voiced with that aim as well.
Jim
My Stream on Soundcloud
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Playing lately:
1924 Gibson A4 - 2018 Campanella A-5 - 2007 Brentrup A4C - 1915 Frank Merwin Ashley violin - Huss & Dalton DS - 1923 Gibson A2 black snakehead - '83 Flatiron A5-2 - 1939 Gibson L-00 - 1936 Epiphone Deluxe - 1928 Gibson L-5 - ca. 1890s Fairbanks Senator Banjo - ca. 1923 Vega Style M tenor banjo - ca. 1920 Weymann Style 25 Mandolin-Banjo - National RM-1
Thanks both! Wolle means wool btw, but I doubt they're made of wool. Perhaps a brand name or a reference to the softer sound (compared to other plectrums).
I am a luthier specialising in historical and world stringed instruments. You can see more info at my website.
"Embergher" in this eBay UK listing's title triggered my mandolin scouting network.
https://www.ebay.co.uk/itm/Antique-M...4AAOSwGYNd9tzE
However, as it turns out, that was a mandolin ( or a mandola) that someone though it resembled an Embergher. Either way, that looks like an interesting instrument, and might turn out to be a great player. The maker is Nicolo Ulcigrai (Italy) who was apparently a violin luthier of some renown. Born in Trieste in 1893, and continued to make violins into 1970s. In 1931 Ulcigrai moved his shop to Venetian sestiere Cannaregio, next door to the Museum of Natural History on Canal Grande.
Beautiful piece of top tonewood on the mandolin.
Wondering if the seller might do better by offering them individually. The mandolin might draw some interest.
Mick
Ever tried, ever failed? No matter. Try again, fail again. Fail better.--Samuel Beckett
______________________
'05 Cuisinart Toaster
'93 Chuck Taylor lowtops
'12 Stetson Open Road
'06 Bialetti expresso maker
'14 Irish Linen Ramon Puig
Indeed, the mandolin (or mandola ?) looks well made, uniquely yet well styled in a sort of a modern way. I'd like to think that a liutaio whose bread and butter product are violins, would have to be on top of his craft, also having a delicately honed ear re instrument acoustics, be they violins, cellos or mandolins.
I am a luthier specialising in historical and world stringed instruments. You can see more info at my website.
Ever tried, ever failed? No matter. Try again, fail again. Fail better.--Samuel Beckett
______________________
'05 Cuisinart Toaster
'93 Chuck Taylor lowtops
'12 Stetson Open Road
'06 Bialetti expresso maker
'14 Irish Linen Ramon Puig
I am a luthier specialising in historical and world stringed instruments. You can see more info at my website.
That Ulcigrai mandolin keeps calling me, but the darn tambura would be a deal breaker from the standpoint of subsequent resale. While the bowl back mandolin market is near dead in Canada, I'd say the local demand for tamburas ought to be practically non-existent.
The mandolin headstock scroll appears really well carved, I guess as only a violin maker would do it. Looks like the bridge as well as the nut are missing. Alas, the former would obviously be impossible to recreate without seeing the original bridge, which is probably very unlikely, since I do not recall ever seeing an Ulcigrai mandolin before.
Incidentally, the family name Ulcigrai is also very interesting as it does not have a pure Italian origin, but possibly Slavic. According to one source, the Ulcigrais originated in the town of Izola (Isola d'Istria in Italian) in today's Slovenia, where they could be traced back to the XV century. During the end-of-WWII upheaval in Istria, the Izola's Ulcigrais moved to Trieste, joining the Ulcigrais who had settled there in older periods of time.
Last edited by Peter K; Jan-07-2020 at 6:59am.
Peter: the label was originally printed Trieste and then crossed off and Venezia written in. I think it is a mandola tuned octave, not a mandolin. The proportions look wrong for a mandolin. It looks heavily made but that may just be a wild guess. I write to the seller to ask a few questions and could go see it in person. I don’t need it at all but it is an interesting instrument by a violin maker but I only see a handful of his violins and they go for maybe $500-2000 in auctions. Not extremely valuable. If you are dying to pursue it I would step aside and share what I find out.
I have a 1970s Calace mandola which is currently tuned CGDA. Last time I played it was in Aonzo workshop for Brandenburg— fun stuff.
Jim
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Playing lately:
1924 Gibson A4 - 2018 Campanella A-5 - 2007 Brentrup A4C - 1915 Frank Merwin Ashley violin - Huss & Dalton DS - 1923 Gibson A2 black snakehead - '83 Flatiron A5-2 - 1939 Gibson L-00 - 1936 Epiphone Deluxe - 1928 Gibson L-5 - ca. 1890s Fairbanks Senator Banjo - ca. 1923 Vega Style M tenor banjo - ca. 1920 Weymann Style 25 Mandolin-Banjo - National RM-1
Thank you Jim. I have also asked the seller if she'd consider splitting the sale, before I'd pursue mandolin condition related questions. I agree with you that we could be looking at an instrument more robust than a conventional mandolin. If the FB is straight and the bowl apron end looks healthy, who knows, I might try an offer.
I have a couple bowl-dolas in the posse, one bearing many of the -ahem- Larson traits that we enjoy quibbling about.
It does share the relative top proportions viz the cant position that the Ulciagrai instrument does.
Simply getting a dimension from the seller should verify such speculations.
Mick
Ever tried, ever failed? No matter. Try again, fail again. Fail better.--Samuel Beckett
______________________
'05 Cuisinart Toaster
'93 Chuck Taylor lowtops
'12 Stetson Open Road
'06 Bialetti expresso maker
'14 Irish Linen Ramon Puig
Hi Peter: I assume you know that in the description she says "USA only, PayPal from verified buyers only. NO RETURNS, Please ask all questions before buying.These Instruments come from a smoke free pet free home."
I have not heard anything from her yet. I also asked if she would sell the mandola separately.
I have been trying to get my dog to stop smoking but it is not working. Oh well...
Jim
My Stream on Soundcloud
19th Century Tunes
Playing lately:
1924 Gibson A4 - 2018 Campanella A-5 - 2007 Brentrup A4C - 1915 Frank Merwin Ashley violin - Huss & Dalton DS - 1923 Gibson A2 black snakehead - '83 Flatiron A5-2 - 1939 Gibson L-00 - 1936 Epiphone Deluxe - 1928 Gibson L-5 - ca. 1890s Fairbanks Senator Banjo - ca. 1923 Vega Style M tenor banjo - ca. 1920 Weymann Style 25 Mandolin-Banjo - National RM-1
Jim, my eBay listing says she is shipping to Canada too via the Global Shipping Program. However, as far as "no returns" goes, you are correct there.
Listen, why don't you try to switch your pooch to ganja smoking.....that would be better for his/her health, and the smoke is much more pleasant smelling than tobacco.
Peter:
I heard from the seller:
The fifth fret is missing and also the nut. The measurement from the missing nut to the 12th fret is approx 9 1/2 inches. (Therefore the scale length is 19 inches—definitely a mandola with octave tuning preferred.
She would allow local pick up in my neighborhood should you bid on and win this auction but she didn't mention me coming to take a look in person. And she says she won't sell the Mandola separately. They will be sold as a set only.
Jim
My Stream on Soundcloud
19th Century Tunes
Playing lately:
1924 Gibson A4 - 2018 Campanella A-5 - 2007 Brentrup A4C - 1915 Frank Merwin Ashley violin - Huss & Dalton DS - 1923 Gibson A2 black snakehead - '83 Flatiron A5-2 - 1939 Gibson L-00 - 1936 Epiphone Deluxe - 1928 Gibson L-5 - ca. 1890s Fairbanks Senator Banjo - ca. 1923 Vega Style M tenor banjo - ca. 1920 Weymann Style 25 Mandolin-Banjo - National RM-1
Thanx Jim, I've got basically the same answer from the seller.
I think she will realize that few people want both instruments at that price. I don't get why sellers feel a need to bundle their unrelated items. She added the two higher estimates to get $1300 for both but even at the lower end estimate ($900) it might be a hard sell. I don't think she sells instruments very often.
Jim
My Stream on Soundcloud
19th Century Tunes
Playing lately:
1924 Gibson A4 - 2018 Campanella A-5 - 2007 Brentrup A4C - 1915 Frank Merwin Ashley violin - Huss & Dalton DS - 1923 Gibson A2 black snakehead - '83 Flatiron A5-2 - 1939 Gibson L-00 - 1936 Epiphone Deluxe - 1928 Gibson L-5 - ca. 1890s Fairbanks Senator Banjo - ca. 1923 Vega Style M tenor banjo - ca. 1920 Weymann Style 25 Mandolin-Banjo - National RM-1
Quite so. Based on my modest mandolin selling experience, I'd have a hard time selling that mandola for $700 fully restored, but if I did, that would mean that I'd have to pay no more than about $300 for her instrument the way it stands now in order to break even.
(That's assuming the restoration would cost me $400, which could be very optimistic too, because when buying mandolins on eBay like that, they are in a worse shape than presented, more often than not.)
This lebel-less mandolin seems to be getting a bit of attention on eBay UK, perhaps because it has some superficial characteristics of earlier (19th c.) Calaces.
https://www.ebay.com/itm/Very-nice-v...oAAOSws~BeEggR
The tuning machine could be Calace, although it appears more recent because of its good preservation. The tailpiece, the pickguard outline and the headstock shape would also fit the Calace provenance.
The bridge not so, IMO.
One problem with those early Calace attributions is that their mandolins show considerable variation in style and detail. However, my guess would be that the subject mandolin was built by some unknow luthier no more than 100 years ago in the style of Calace.
l also suspect there could be some issues with that mandolin neck and fretboard beyond of what the listing pictures are showing.
What we do see is the following:
* A couple of tuning buttons are poorly done replacements.
* The third fret bar is oddly skewed. I see some repair hacks doing that sort of thing, but not the Calace workshop.
* One bowl stave separation crack has been glued/filled with something that could be epoxy.....if so, that "repair" would not be easily repairable.
Lastly, even if this mandolin was a bona fide Calace, who'd ever believe you in the absence of a Calace label ?
Last edited by Peter K; Jan-08-2020 at 3:55pm.
If this ever showed up on Jeopardy when I chose "Italian Mandolins for $400, Alex!" my answer (in the form of a question) would be
"What's NOT a Calace mandolin?"
My hunch is that it is from the good folks down Catania way.
The side / neck view ought to scare folks away as much as a lack of pedigree.
Mick
Ever tried, ever failed? No matter. Try again, fail again. Fail better.--Samuel Beckett
______________________
'05 Cuisinart Toaster
'93 Chuck Taylor lowtops
'12 Stetson Open Road
'06 Bialetti expresso maker
'14 Irish Linen Ramon Puig
Ever tried, ever failed? No matter. Try again, fail again. Fail better.--Samuel Beckett
______________________
'05 Cuisinart Toaster
'93 Chuck Taylor lowtops
'12 Stetson Open Road
'06 Bialetti expresso maker
'14 Irish Linen Ramon Puig
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