If you had one hour.......

[giverin]

If you could spend one hour, with ANY mandolin player, who would it be, why, and what would you do in this hour?

Personally it would be an hour with Sam Bush so he could teach me some of those strange rhythm's he enjoys playing.
Mike

P.S this is in no way intended to be a competition between the professional mandolin players, merely a way to see other players' aspirations and admirations.

[arbarnhart]

I would pick Rich DelGrosso and work on blues licks. I enjoy a lot of styles, but instruction in other styles is more accessible (in NC, you can't swing your mandolin around without hitting someone who can teach you how to chop) and I really enjoy Rich's music. Plus I have read posts by people who have recieved instruction from him and they are all very positive.

[Dan Margolis]

I actually spent an hour, with Roland White in Nashville in March. #A great hour--nothing written down, but a wealth of good advice, good attitude, and friendly encouragement. #If you're in Nashville, look him up. He played guitar with Bill Monroe, and mandolin with Lester Flatt. #Not to mention his years with the Nashville Bluegrass Band and Country Gazette. #And his brother was none other than the great Clarence White. His website: Roland's webpage

[John Flynn]

I would want to spend an hour with the person who had the teaching skills to improve me the most as a player. That may not be the person whose playing I admire the most. The best hour of instruction I have ever spent was with Jody Stecher. Regardless of whether you are a fan of his or not, that guy knows how to teach, one-on-one. He says, "Play something that's easy for you to play." And then, "Play something you find difficult." He watches you play, analyzes your technique and says, "OK, here's what you need to work on..." Then he coaches you on that thing and you walk away from that very lesson permanently a better player.

I will spend an hour with my favorite mandolin player, Curtis Buckhannnon, tomorrow night, as I have many nights over the last two years. I will watch some unique and amazing playing close up. I will learn some tunes, pick up some techniques and most importantly, have some laughs. Hours playing with Curtis are the most enjoyable hours of instruction I have ever spent. It's just amazing watching what he can do. If I ever have the chance, I will do the same with Skip Gorman, Clyde Curley and Bruce Ling.

[chuck.naill]

If you could spend one hour, with ANY mandolin player, who would it be, why, and what would you do in this hour?

While Norman is not an acclaimed mandolin player when compared to Sam Bush or Mike Compton, I would really enjoy being with Mr.Blake to learn as much as possible from a great multi intrumentalist.

chuck

[Daniel Nestlerode]

Interesting question, but more or less moot for me. #Becuase I attend the Mandolin Symposium every year, I get to spend 9 or 10 hours a day for an entire week with my favorite mandolin players. #Limitations arise though, there were this year 164 other folks doing the same thing, so the content of the lessons was predetermined rather than individually requested. #Nevertheless, Grisman and company were open to any and all questions. #[I'm not trying to advertize and I don't have any financial interest in the Mandolin Symposium, it just struck me as an obvious tie-in to the thread.]

Still, if I could get one of those guys to sit doown with me alone for an hour, I guess I would pick Mike Compton. #I would ask him about his philosophy of playing. #I know he's the greatest living exponent of the Monroe style, but I'm not really interested in that. #I'm interested in what he's thinking about when he plays (especiallly when he improvises), how he stays so relaxed (in comparison to Mike Marshall and Chris Thile who seem to huddle around their instruments), and what about his own playing gives him the most pleasure.

Think that'll cover an hour? #

Daniel

[JGWoods]

I'd spend an hour with Brad Leftwich, and he doesn't even play the mandolin- heck of a fiddler though and that's where most everything I do on mandolin comes from.
I learned the mandolin first, but now the fiddle is teaching me mandolin.

[John Flynn]

I guess I would pick Mike Compton. I would ask him about his philosophy of playing.

You should really try to take one of his all day workshops, which he seems to give a few times a year, even if you have to travel to get there, as I did. You will get what you asked for and a lot more. I only wish he would send out pre-work for his workshops, so participants could be more prepared. It all comes at you so fast, it's like "drinking from a firehose."

[Jim Broyles]

Either Doyle Lawson or Ricky Skaggs. If you pressed me, I'd say Doyle. I'd just get him to show me how he plays "Shady Grove" so doggone fast!

[luckylarue]

Mike Compton or Andy Statman or Butch Baldassari or...

[sgarrity]

Mike Compton -- And we'd spend the whole hour on my right hand. I have been to one of his workshops and it was very informative

[Dena Haselwander]

Peter Ostroushko--the joy that sounds in his music; I'd like to witness that.

[JEStanek]

From what I have heard about him, and his style which I really enjoy, Tim O'Brien. I actually hope to got to Mandolin Symposium in two years (my wife has already planned next summers West Coast trip) where I can have more time with so many inspirational players.

Jamie

[otterly2k]

I think I'd have to pick Andy Irvine...

[mandogrrl]

I got to take workshops with Sam Bush, Rich DelGrosso and Roland White at Mandolin Camp North. I'd probably take an hour with Sam Bush just because he is so cool and fun.
His electric mandolin workshop was amazing.

I'm hoping to go to the Mandolin Symposium some year because they get teachers from the west coast that we don't see out east as much.

[red7flag]

Even though mandolin is by far my instrument of choice, my hour would be with Doc Watson, he is a person I would love to spend one hour with.
Tony

[the blue mule]

i guess i would have to go with the obvious omission from the list, so far; and say David Grisman. As an acoustic guitarist for more years than i care to mention, Grisman's Tone Poems opened my ears, eyes and heart to the possiblites of mandolin..................

[James P]

In the nicest, most polite way possible: Sharon Gilchrist. She's a great player and just seems like a pleasant person to spend an hour with.

[hendrix2]

I would be happy if I could play an hour with another mandolin player. Personally I know nobody who plays the mandolin. It's not a very popular instrument here. (don't ask me why!). I know a lot of people who play guitar/keyboard/piano/bass/drum... but mandolin, never met someone who actually played it...

[giverin]

I've had the pleasure of a couple of hours of jamming with Giverin over the past few days. He is an incredible young talent. Great question Giverin! I'd choose Baldassari. If I had only one hour, I'd be looking for some direction in setting up effective practice sessions.

[mandopete]

John Reischman and I did. I took a lesson from him with the specific task of understanding his right hand technique and his approach to getting good tone.

Best hour I have spent on the mandolin.

[Dfyngravity]

Easy enough for me...Shawn Lane. First off he is my favorite mandolin player, secondly he is just absolutely smooth and his playing is just flawless not to mention very very tasteful. He seems to only hit the notes that count and doesn't waste too much time hitting the notes inbetween. I would love to sit down with him and pick his brain about his style and technique plus get as many pointers as possible.

[Kevin Briggs]

I'd go with Butch Baldissari. He is just the cleanest, most sensible player I've heard. I'd like to pick some of that up from him, and combine it with my reckless sort of style.

[tree]

Marty Stuart. #I'd plop a couple of Newcastle Browns on the table and pump him for stories. #Maybe we'd pick, maybe not.

[mandocrucian]

Yeah, I know this thread is a game of hypothetical "What if...?"
But, something to think about #in case you might actually be in the situation sometime in the future.

One hour isn't very long to do much. (It's way too short)

It'd probably make more sense to buy the person's instructional DVD/VHS (if they have one out). They'll control the topic agenda and tell you things that they think you should/need to be aware of (they are the expert(s), are they not?), Otherwise, it might be like asking Einstein "What's this subtraction business all about? or "Oh Professor, I'm just not getting 'fractions'..... (Years later you'd probably cringe every time you think of the inept/naive/ stuff you used up your time asking about.)

If you were to do a cost/benefit analysis, you might come out way ahead spending the time with someone not-so-famous that understands what the "name players" are doing and can teach/clue you in on what they are doing. (And maybe avoid the "show-biz" 'personna' some players pick up with their fame, which could leave you with long lingering bad vibes which contaminates your enjoyment of their records.) And/or picking up those DVDs.
- - - - - -

Anyway, to play along, I'd be looking for awareness/discovery of new mental portals/pathways, and that seems more likely coming from some other sources than a mando player.

Bobby McFerrin - the instrument is the #mind

Tuck Andress

Allan Slutsky #(aka Dr. Licks) - has written some great books about the functioning of R&B rhythm - gtr/bass/drums - sections

a really good B3 organ player who kicks great bass lines (doesn't need to be somebody famous like Winwood or Lee Michaels, Skip Knape, Jimmy McGriff etc.) for technical advice on pedalbass mechanics and four limbed independence

Micky Hart - one of the Dead drummers and a long time martial arts guy. - application/fusion of martial arts training (physical and mental) to groove, music and the shamanic trance zone.

<span style='font-size:8pt;line-height:100%'>(I've already spent "hours" with numerous players (Martin Carthy, Michael Doucet, Jimmy Gaudreau, Arto Järvelä, Doyle Lawson, Mick Moloney, John Renbourn, Larry Rice, Jody Stecher, Richard Thompson, Radim Zenkl to name a few) over the years, so...</span> if I had to restrict myself to a "mandolin" player, I suppose (today) I would choose a time slot with Andy Irvine...("Walk me through your thought process regarding your accompaniment style"))

Niles H