There's a nice tribute up at gibson's website. It really chokes me up to know I took his obituary photo. That center picture is part of an image that really sums up how I remember Charlie.
I was in Nashville to record some tracks on Jack Schultz's Loar, and I popped Charlie a message asking if he wanted to meet up and take a look. If you guys recall the story, Jack found out what he had by doing a google search on "Lloyd Loar" and getting in touch with Darryl & me shortly after I'd launched the mandolin archive.
Anyway, we put Jack in touch with Charlie as well to let him know what he'd found, and Charlie just siezed that occasion to show all his best. He invited us up for a visit & tour of Opry Mills, and really made us all feel like royalty. We visited his office, played some Loars (the video clip I posted earlier is also from that visit). Charlie picked up Jack's Loar, prounounced it "a good one", and said the same thing Alan mentions above.. "DO YOU KNOW WHAT YOU HAVE JACK??". He and Danny Roberts both played some tunes for Jack on that Loar while I was checking out Charlie's unsigned right there in his office. He led us through the shop, offered us coffee, and just basically carried on with his day like we worked with him.
On his enthusiasm.. Jamie Wiens happened to arrive at Loar fest in the tiny 1-room bakersfield airport just about the same time as Charlie. Charlie leapt over and said "THERE'S another mandolin player!!" and had a Loar in Jamie's lap before he knew what hit him.
I don't know if I can even count the number of people Charlie introduced me to either through email or in person at Loar fest. Everything he knew about a subject, he would share.
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