Bowlback MAS flared, and this is on the way to me from Bernunzio:
Bowlback MAS flared, and this is on the way to me from Bernunzio:
Fiddles
Arches F4 / Newson F5
Crump B1 / Old Wave GOM
And the back:
Fiddles
Arches F4 / Newson F5
Crump B1 / Old Wave GOM
A close-up:
So I've read some history on these. Patented in 1897, iirc. Does anyone know any sources of history about them?
Fiddles
Arches F4 / Newson F5
Crump B1 / Old Wave GOM
You probably already found Mike Holme's Aluminum Instruments. That should hold you.
Jim
Jim
My Stream on Soundcloud
19th Century Tunes
Playing lately:
1924 Gibson A4 - 2018 Campanella A-5 - 2007 Brentrup A4C - 1915 Frank Merwin Ashley violin - Huss & Dalton DS - 1923 Gibson A2 black snakehead - '83 Flatiron A5-2 - 1939 Gibson L-00 - 1936 Epiphone Deluxe - 1928 Gibson L-5 - ca. 1890s Fairbanks Senator Banjo - ca. 1923 Vega Style M tenor banjo - ca. 1920 Weymann Style 25 Mandolin-Banjo - National RM-1
How does it play? My guess is, like a typical bowlback, that is, the aluminum bowl shouldn't affect the sound much or at all. Does it?
I seem to recall that on previous discussions, these were indeed thought to sound much like a typical bowlback, because it's the top that's largely responsible for tone. However, there were also some bowlbacks that were entirely made of aluminium, top and bowl, and I'm much less sure about the tone of those. There's a discussion here, but the Ebay auction linked in the initial post has long since expired.
Martin
In an odd coincidence, I just bought a Merrill on eBay, and started a thread under "Vintage Instruments."
Merrill Aluminum Mandolin
I've owned an aluminum bass fiddle (probably of European origin, since it has a wooden neck, and the American aluminum basses apparently had aluminum necks) for about ten years, and had to go for an aluminum mando. I have also seen an all-aluminum bowl-back, with metal top and neck, which was painted purple. The Merrill doesn't sound greatly different from my other bowl-back (a rosewood turn-of-the-20th-century Victoria which was in my grandfather's attic), but it does have a slight metallic overtone.
Allen Hopkins
Gibsn: '54 F5 3pt F2 A-N Custm K1 m'cello
Natl Triolian Dobro mando
Victoria b-back Merrill alumnm b-back
H-O mandolinetto
Stradolin Vega banjolin
Sobell'dola Washburn b-back'dola
Eastmn: 615'dola 805 m'cello
Flatiron 3K OM
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