It seemed like my last Renaissance arrangement for mandola was fairly well received, so I thought I'd share tonight's project. This is Almain by Robert Johnson, reharmonized and arranged for solo mandola. Thanks for listening and for your feedback!
It seemed like my last Renaissance arrangement for mandola was fairly well received, so I thought I'd share tonight's project. This is Almain by Robert Johnson, reharmonized and arranged for solo mandola. Thanks for listening and for your feedback!
This is so good. I'm working on the much simpler Dix Bruce arrangement, but I may have to try & steal some of those juicy chords. And that mandola!
I enjoyed that. It sounds as though the hellhounds weren't on Bob's trail yet.
Robert Johnson's mother, describing blues musicians:
"I never did have no trouble with him until he got big enough to be round with bigger boys and off from home. Then he used to follow all these harp blowers, mandoleen (sic) and guitar players."
Lomax, Alan, The Land where The Blues Began, NY: Pantheon, 1993, p.14.
This one will be deservedly well received too. Super nice!
Very nice arrangement and playing, Colin. I love this piece and have recorded it as a mandolin trio many years ago, in 2012 (Link), but your solo setting is very effective and evocative. The lower register of the mandola also makes the sound richer.
Martin
Wonderful! your playing is very "listenable"
I noticed you gently plant (more like a brush) with the index and middle on the right hand, not a criticism just am observation on your mechanics- as a mandola nerd might mention.
I do believe it is your right hand that is mostly creating that very even spaced set of tones.
Hats Off!
"Mean Old Timer, He's got grey hair, Mean Old Timer he just don't care
Got no compassion, thinks its a sin
All he does is sit around an play the Mandolin"
Yes, you're correct regarding my right hand. In addition to helping stay relaxed, it also functions like a set of calipers for picking accuracy. Honestly, it's not something I really thought much about, but just evolved over time. I do also know that when playing fast single-note lines I tend to close my hand up and hover over the strings. Thanks!
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