If I could play like this just once I would call my musical career accomplished.
I believe that's a Lyon and Healy style C maybe?
If I could play like this just once I would call my musical career accomplished.
I believe that's a Lyon and Healy style C maybe?
Stormy Morning Orchestra
My YouTube Channel
"Mean Old Timer, He's got grey hair, Mean Old Timer he just don't care
Got no compassion, thinks its a sin
All he does is sit around an play the Mandolin"
Charming piece. I like his Mandolin tunes, melodic, not fast fiddle tune finger busters. It appears to be a Lyon & Healy Model B, 2 points with non-scroll peghead.
Joe B
A Splendid Time is Guaranteed for All
What a nice way to start the day!
The mandolin is a Lyon & Healy style B with stairstep or art-deco peghead, 13 3/4" scale, and a low 3 digit serial number.
The bridge has an ivory saddle inlaid into it, which appears to be factory original. It is the only L & H that I have seen with such a saddle.
The mandolin has the extendable "knee rest."
I bought it from George Gruhn's first Broadway shop in the early 1990's for $1250. Within the first year or two that I owned it, I installed a set of Stew-mac #147 frets; which at that time had a crown height of .040" and a crown width of .078".
I played the instrument frequently for quite a few years. It mikes so well that if your sound man can't dial it in, you need to find another sound man. It is a very fine instrument indeed.
Norman acquired the mandolin from me sometime around the time the "O Brother" movie came out. He sold it a couple of years ago.
The studio recording of the rag is on Norman's album "Flower From the Fields of Alabama." My guitar backup part is inspired by the piano rags of Scott Joplin. The mandolin used on the studio recording was a 1930's Vega flat back with sunburst finish, pearl bordered top, and fancy fingerboard inlays. I have not seen another one like it. It was tuned a step low and strung with octaves on the 3rd and 4th courses. Norman traded it off in the early 2000's. We heard that it might have ended up in David Grisman's hands, but I cannot confirm that.
TAG Railroad Rag is a favorite of mine. We thank you for the kind words.
Bob Chuckrow, a.k.a St. Elmo Slim
Last edited by rcc56; Oct-14-2021 at 1:26pm.
Nice appropriate backup on the guitar as well. Who is the maker of the guitar? Looks like a 12 fret 000 but the side depth looks like they could be a little deeper than a standard 000.
Kirk
2007 Kimble F5
1985 Kentucky KM 650
Correct. The guitar in the video is a Santa Cruz in spruce and mahogany, built on their version of a Martin 12 fret 000 footprint, but with the extra body depth of a Gibson Nick Lucas.
The guitar was Norman's. That was the only time I played it. I don't believe that he owns it anymore.
That's really nice Bob.
"It's comparable to playing a cheese slicer."
--M. Stillion
"Bargain instruments are no bargains if you can't play them"
--J. Garber
Thank you.
I really enjoyed this, thanks for posting!
I've been listening to a lot of Peter Ostroushko lately. You can hear the musical kinship in this composition.
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