Negative harmony.
I’m currently working my way through several high level theory books. We already discussed slominsky.
Levy on negative harmony though, is starting to defeat me.
As I am comprehending it, the reverse of your chord is around the fifth? So, in c, you can swing round the G. So instead of C E G, you get G, Bb, Db
I think.
Levy explains this, but not clearly. I did some in-depth online research but it made no sense. But I’ve either 'got it' and am overthinking it, or I don’t got it, and I’m missing something.
Some reviews of levy says he makes fundamental errors. I can’t find any errors, but there’s a lack of clarity there.
I know this is a mandolinist site and we’re all going to be bluegrassers and folkies, but I also know that’s absolutely wrong - I’m on several forums, but this is by far the most knowledgeable about high level theory.
Thanks in advance.
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