I've been playing mandola since I first bought my Flatiron 1SH mandola new back in the '80s.
Since then, I've picked up various mandolin-family instruments over the years. None of the other non-mandola instruments has lasted more than 10 years in the herd, although I did buy a mandolin recently (a Mix carbon fiber oval hole with a scroll) which has convinced me to sell off quite a few mandolins, once I got the fretwork and action sorted. Additionally, I got to play a Flatiron-style pancake OM in the last few months which has me thinkijg of selling off the adequate OMs in the herd as well.
My focus, though, has always been mandola.
I recently realized that all the mandolas in the "sell" corral are non-Flatirons.
And, with my having recently finished cleaning up and doing some seam work on an early '81 Flatiron mandola I picked up cheap a while ago, and dialing in its action at the bridge, I put it in the keep section... and saw that I have the one Mix mandolin...
...and five different Flatiron mandolas.
Five.
And I still periodically search to see if any are currently on the market.
I love how they play, and how they sound, but really?
Granted, they work very well for acoustic rock, jazz chord-melody, and boss's nova. They're all from different years and in different styles (although I also notice that none have binding or soundhole rosette, so clearly my tastes run to plainness). Additionally, one of them is currently strung as an OM, which works surprisingly well and staves off the purchase of that Flatiron-style OM.
Still, five Flatiron mandolas is a lot... right?
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