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Thread: Article: New Music from Avi Avital - Art of the Mandolin

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    Default Article: New Music from Avi Avital - Art of the Mandolin


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    Default Re: Article: New Music from Avi Avital - Art of the Mandolin

    Here is the track listing for this one:

    1. Vivaldi: Concerto for 2 Mandolins in G Major, RV 532 - I. Allegro
    2. Vivaldi: Concerto for 2 Mandolins in G Major, RV 532 - II. Andante
    3. Vivaldi: Concerto for 2 Mandolins in G Major, RV 532 - III. Allegro
    4. Beethoven: Adagio for Mandolin and Harpsichord in E Flat Major, WoO 43b (Transcr. for Mandolin and Harp)
    5. Bruce: "Death Is a Friend of Ours" for Mandolin, Harp, Harpsichord, Theorbo, Guitar - I. Inside the Wave
    6. Bruce: "Death Is a Friend of Ours" for Mandolin, Harp, Harpsichord, Theorbo, Guitar - II. The Death of Despair
    7. Bruce: "Death Is a Friend of Ours" for Mandolin, Harp, Harpsichord, Theorbo, Guitar - III. Death Is a Friend of Ours
    8. Sollima: Prelude for Mandolin Solo
    9. Scarlatti: Sonata in D Minor, Kk. 89 - I. Allegro (Transcr. for Mandolin and Basso continuo)
    10. Scarlatti: Sonata in D Minor, Kk. 89 - II. Grave (Transcr. for Mandolin and Basso continuo)
    11. Scarlatti: Sonata in D Minor, Kk. 89 - III. Allegro (Transcr. for Mandolin and Basso continuo)
    12. Ben-Haim: Sonata a Tre for Mandolin, Guitar, Harpsichord - I. Allegro aperto
    13. Ben-Haim: Sonata a Tre for Mandolin, Guitar, Harpsichord - II. Lentamente recitando
    14. Ben-Haim: Sonata a Tre for Mandolin, Guitar, Harpsichord - III. Lo stesso movimento
    15. Henze: Carillon, Récitatif and Masque for Mandolin, Guitar, Harp - I. Carillon. Allegretto
    16. Henze: Carillon, Récitatif and Masque for Mandolin, Guitar, Harp - II. Récitatif. Adagio
    17. Henze: Carillon, Récitatif and Masque for Mandolin, Guitar, Harp - III. Masque

  3. #3

    Default Re: Article: New Music from Avi Avital - Art of the Mandolin

    Wonderful player! Observe his non-traditional pick hold in the graphic! I’ve been lucky to have had the opportunity to participate in workshops, masterclasses and as a player in an orchestra he conducted. One important thing I took away from these sessions was the variation of pick holds he uses. His thoughts and comments on pick holds and overall mandolin ergonometric was quite memorable and inspiring.

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