Just looking at my Bitterroot A5, diagram B is correct.
Dave H
Eastman 615 mandola
2011 Weber Bitteroot A5
2012 Weber Bitteroot F5
Eastman MD 915V
Gibson F9
2016 Capek ' Bob ' standard scale tenor banjo
Ibanez Artist 5 string
2001 Paul Shippey oval hole
Both diagrams ignore the fact that the strings form a break angle at the bridge. In a perfect world, the break angle should be exactly halved by the bridge, and the bridge should be perpendicular with the top. In reality, the bridge will have a foot fitted to the top, and the best angle is the one providing the best contact.
the world is better off without bad ideas, good ideas are better off without the world
Well.... the 'best angle' is STILL the one which bisects the break angle, BUT the foot should be fitted to make this happen.
In the real world, 'close' is apparently good enough.
Phil
“Sharps/Flats” ≠ “Accidentals”
There are many who prefer to have some tilt backwards to keep the bridge from moving or tipping forward from string pull and from tuning.. I would do A.
THE WORLD IS A BETTER PLACE JUST FOR YOUR SMILE!
I'm not sure it matters... As long as it's stable.
Isabel Mandolins
https://www.facebook.com/pages/Arche...50923841658006
Unless the bottom of the saddle is flat against the top of the bridge with no adjustment left, every two piece bridge that I've seen on a carved top mandolin very quickly "learns" at least a minor tilt away from the tailpiece, originating at the adjuster assembly. They don't stay 100% straight using current technology. Compensating by adjusting the feet to lean back toward the tailpiece helps more than anything else. The ideal 50/50 break based on a straight bridge would be wonderful, but it doesn't stay that way in real life and there isn't a way to estimate the amount of tilt that will be "learned" at the adjusters.
-- Don
"Music: A minor auditory irritation occasionally characterized as pleasant."
"It is a lot more fun to make music than it is to argue about it."
2002 Gibson F-9
2016 MK LFSTB
1975 Suzuki taterbug (plus many other noisemakers)
[About how I tune my mandolins]
[Our recent arrival]
If the bridge bisects the break angle, it usually is tilted towards the tailpiece by roughly 8 degrees which decreases the likelihood of "learning" to lean away from the tailpiece.
There was a previous thread drawing vectors to show the forces and discussing this is greater detail. sblock gave lots of info IIRC.
Phil
“Sharps/Flats” ≠ “Accidentals”
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