Results 1 to 6 of 6

Thread: 1963 Gibson f5 custom mandolin

  1. #1

    Default 1963 Gibson f5 custom mandolin

    I was wondering about a 1963 Gibson f5 manlin a friend had, whether it would be worth the cost to have new frets new bridge and nut, I had heard that starting sometime in the 60's the quality and sound started going downhill, any thoughts?

  2. #2
    Kelley Mandolins Skip Kelley's Avatar
    Join Date
    Sep 2002
    Location
    Ohio
    Posts
    3,324

    Default Re: 1963 Gibson f5 custom mandolin

    How does it sound? If it needs frets, well then it needs frets. A good set-up would help it play better also.

  3. #3
    Registered User slimt's Avatar
    Join Date
    Nov 2015
    Location
    Alberta
    Posts
    591

    Default Re: 1963 Gibson f5 custom mandolin

    I dont know much about the 60s Gibson mandolins. But I would be all over it and get it cleaned up.

  4. #4
    Quietly Making Noise Dave Greenspoon's Avatar
    Join Date
    May 2003
    Location
    Leesburg, VA
    Posts
    1,102

    Default Re: 1963 Gibson f5 custom mandolin

    Birth-year mando for me. The F-5 had maybe a run of 50 pieces. Let me know if your friend wants to part with it.
    Axes: Eastman MD-515 & El Rey; Eastwood S Mandola
    Amps: Fishman Loudbox 100; Rivera Clubster Royale Recording Head & R212 cab; Laney Cub 10

  5. #5
    Registered User William Smith's Avatar
    Join Date
    Jun 2010
    Location
    Sugar Grove,PA
    Posts
    3,375
    Blog Entries
    1

    Default Re: 1963 Gibson f5 custom mandolin

    They can be great mandolins with some modifications, such as re-grad if one can get it cheap enough? They were pretty heavy in those years "wood and lacquer" Most all sound thin if that makes sense, not the power of those 20's-30's F-5's IMHO. A lot of bluegrass pickers had them but were modified like Larry Rice comes to mind. I don't think they made many F-5's in the 60's and all were custom ordered correct? I was able to get a 58 F-5 for a very good deal because it had a poor re-neck so I'm still waiting for Randy Wood to finish it-I had him take the back off and re-grad to Loar specs, new tone bar placement like a Loar and new neck with a deep set "cocked back a little extra" with 20's style flowerpot and pearl block inlays in fret board. I remember it had a thick lacquer to it so when I get it back I may painfully/time consuming strip the lacquer off so I don't get into the dye, if it doesn't sound great but I know Randy's work so I surmise it'll be pretty sweet! I just sent him hardware for it so I should get her back soon. I'm in the camp if they are nice leave them alone but with a basket case go ahead and modify? All said I should have a bit over 4G in mine and that's pretty good for an old piece of Gibson wood with a touch of Mr.Wood's brilliance.

  6. #6
    Registered User f5loar's Avatar
    Join Date
    Oct 2002
    Location
    Salisbury,NC
    Posts
    6,468

    Default Re: 1963 Gibson f5 custom mandolin

    well a '63 is one of those "iffy" years. Could be okay, might not be so good. But as others say, you can get them "made over" and set up to be fine mandolins. I will say this, that Bill Monroe walked into a Nashville store in 1964 and saw a new F5 on the rack and liked it so much he bought it and used it as a spare until he got his 2nd Loar in 1972. Bill kept this '64 F5 for other special tunings and used it to record his "My Last Days on Earth" and then donated it to the CMHF where it resides today. So yes, good ones from this era do come up.

Bookmarks

Bookmarks

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •