I'd be very interested to hear from builders about your early evolution as a builder. How many mandolins did you build before you thought you had viable instruments to sell? Was the build quality parallel to the tone evolution?
Just from building one, my experience was that I could probably build a mandolin whose tone I'd be happy with long before I mastered the aesthetics. Binding in particular, but inlay is also an entirely new skill set. How many of you had mentors?
Do you ever have your early work back in your hands? I knew a violin builder say he could tell his early repair work. He thought he was a real hack when he was starting out. I have seen some nice work numbered in the teens and twenties, but most luthiers I've had the pleasure to talk to are their own worst critics.
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