Re: Cross picking by way of Bach
I come from a similar background of playing bluegrass banjo a hundred years ago, (actually 30 years), as well as playing finger style guitar for rest of the time. However now, after dropping guitar and banjo in favor of violin almost 30 years ago and picking up mandolin just 10 years ago, I see music in a linear way fairly often. Meaning that when I read music, I first look at producing the notes in an efficient manner. Only later, like you, do I notice that the string changes resulted in 'cross picking'. Or that the chord change was in a particular place.
In my humble opinion, most folk musicians rely on patterns rather than actually studying the music. It's a short cut, in a way. Nowadays I find myself straddling two worlds of folk music and classical music. And I think it is quite interesting that Bach has become the darling of the Bluegrass world. It is another shortcut to represent all of classical music in one stroke!
And I'm the 'expert' critic ha, ha. There are a number of insights for approaching classical music as a folk musician, seeing patterns for example, really do help in understanding larger musical concepts.
Decipit exemplar vitiis imitabile
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