Mando kicks it off. Best banjo solo EVER.
(I searched "atonal" and didn't see this. Apologies if it's already posted somewhere.)
Mando kicks it off. Best banjo solo EVER.
(I searched "atonal" and didn't see this. Apologies if it's already posted somewhere.)
Hilarious, the musical jokes just kept coming.
I have played Schoenberg and 12 tone rows (in the distant past), so I caught those references.
Davey Stuart tenor guitar (based on his 18" mandola design).
Eastman MD-604SB with Grover 309 tuners.
Eastwood 4 string electric mandostang, 2x Airline e-mandola (4-string) one strung as an e-OM.
DSP's: Helix HX Stomp, various Zooms.
Amps: THR-10, Sony XB-20.
When I got back into the music business, I auditioned to play bass on a restaurant gig with a really good piano player. I got the job and worked with the fellow for ten years.
After the audition, we talked about our backgrounds, getting to know each other. I was in my late 30's, and belatedly finishing up my music degree. Dave had a Master's degree from the University of Cincinnati.
I asked him what his school was like. He said that the school had engaged on a momentous project-- they had recorded the complete cycle of Schoenberg string quartets.
I asked him, "Why?"
He thought about it for a moment, then scratched his head, and replied, "I really don't know . . ."
Thank you, Allison et al.
A banjo break perfectly legal in both worlds
the world is better off without bad ideas, good ideas are better off without the world
Or as Sir Thomas Beecham replied to the question whether he had heard any Stockhausen: "No, but I think I've trodden in some."
From a generation before the atonal guys but relevant:
Mark Twain on Wagner - "His music is much better than it sounds."
“Ah haaaa!”
Great! Would love to hear everybody take solos! The John Cage piano solo was perfect! Thanks for posting this.
Nice backup band, too.
Jim
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19th Century Tunes
Playing lately:
1924 Gibson A4 - 2018 Campanella A-5 - 2007 Brentrup A4C - 1915 Frank Merwin Ashley violin - Huss & Dalton DS - 1923 Gibson A2 black snakehead - '83 Flatiron A5-2 - 1939 Gibson L-00 - 1936 Epiphone Deluxe - 1928 Gibson L-5 - ca. 1890s Fairbanks Senator Banjo - ca. 1923 Vega Style M tenor banjo - ca. 1920 Weymann Style 25 Mandolin-Banjo - National RM-1
"The Loar" LM-520
Ludwig & Ludwig 8-370X Marimba
Slingerland Modified Drumset
Hand made profesional djembes from Guinea and Maili West Africa
and toys... lots and lots of toys.
Hey... I have a blog here!
https://www.mandolincafe.com/forum/blogs/53556
Feel free to stop on by and let me know what you think!
If I remember correctly, the first is tonal, and like-able. And he was moving back towards tonal composition late in life.
Atonality and atonal serialism can be interesting from a certain point of view. Some of Webern's tiny pieces have a certain charm.
But I wouldn't want a steady diet of it.
If this thread has any educational value, it might encourage some folks to look up the 12 tone composers.
There is something to be learned from them.
I prefer the way J.S. Bach and some of his contemporaries handled some of the ideas that were later incorporated into serialism.
I also like Bach more when he is in his sunnier moods.
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