Interesting experiment. Ever hear of anything similar being done with mandolins?
https://www.theguardian.com/music/20...t-stradivarius
Interesting experiment. Ever hear of anything similar being done with mandolins?
https://www.theguardian.com/music/20...t-stradivarius
A similar experiment was done with guitars and the eff3ct of different woods for the backs. https://asa.scitation.org/doi/10.1121/1.5084735
The conclusion was that there was no difference in perceived quality across different woods.
Think it comes down the overall quality of individual instruments rather than a “pedigree”.
I would not be able to distinguish between the two ! I can't even tell the difference between two buck chuck wine and fifty dollar wine !
Yeah, you can't tell much about their age by listening to mandolins. You have to lick the finish to tell if they are old or new.
So next time you're in Carters, walk up to the case that has the Loars and vintage mandolins and just go down the row and lick them all a few times right behind the tail piece...ask the Carters to watch after you've tried it and you'll learn a lot...
I hope they have cc cameras in there !
Last edited by Astro; Jan-27-2019 at 8:20am.
No matter where I go, there I am...Unless I'm running a little late.
Hashed and re-hashed comparison. Nothing new to see here. There are excellent violins/mandolins/kazoos being made today that will compete with the old ones in a blind test. So it goes.
Jim
My Stream on Soundcloud
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Playing lately:
1924 Gibson A4 - 2018 Campanella A-5 - 2007 Brentrup A4C - 1915 Frank Merwin Ashley violin - Huss & Dalton DS - 1923 Gibson A2 black snakehead - '83 Flatiron A5-2 - 1939 Gibson L-00 - 1936 Epiphone Deluxe - 1928 Gibson L-5 - ca. 1890s Fairbanks Senator Banjo - ca. 1923 Vega Style M tenor banjo - ca. 1920 Weymann Style 25 Mandolin-Banjo - National RM-1
Science and subjectivity: too many variables renders such tests invalid. Always fun reading, though.
Here at the MIM ( Musical Instrument Museum ) in the Scottsdale/Phoenix there was an exhibit a couple of years ago where a real Stradivari was played along side modern violins and I could not tell any difference ! I eventually did choose the best sounding to my ear and it was made by a man from Michigan but I have forgotten his name , but he is still living and building violins ! If you are ever in this part of Arizona you should visit MIM ! Only place like it in the world ! Instruments from every country in the world !
Hashed and re-hashed yes, in that the violin blind, double-blind, etc. tests have been posted about and lengthily discussed here over the years, and with articles and papers cited that go into greater detail than that article from The Guardian. Not that your current post is not valid, and your question about mandolin tests, just may not be very exciting discussion for long-term members. To read more, do some searches here.
I agree with that statement to an extent ... not necessarily that the results are not valid though. I'd say most scientific tests (and pretty near all subjective tests) probably yield results that are not complete in the sense that they could never be challenged.Science and subjectivity: too many variables renders such tests invalid.
In the current case, i.e., exposing the mythical nature of the belief that old instruments are prima facie better than modern ones, I'd say the results of these tests do help a great deal. Paying millions for a strad can be justified in other ways than that they are absolutely the best sounding and playing available instruments.
WWW.THEAMATEURMANDOLINIST.COM
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Thanks, Mark. I have read such comparisons before, scientific and otherwise, which focused on other instruments. I found the article interesting as the evaluators, if I recall correctly, were all classically trained violinists. My underlying assumption, for better or worse, was that their "ear" for instrument quality was much more sophisticated than my aging, dilettante perspective or the perspectives of other amateurs such as myself. I would still like to read one of the articles or discussions you reference regarding mandolins. (for the knowledge rather than the excitement)
Yankees1: you confuse me. Your info says central Illinois yet you say you are in Phoenix? I love the MIM, probably one of the few things I like about Phoenix besides visiting my sister and her family. Great museum!
Jim
My Stream on Soundcloud
19th Century Tunes
Playing lately:
1924 Gibson A4 - 2018 Campanella A-5 - 2007 Brentrup A4C - 1915 Frank Merwin Ashley violin - Huss & Dalton DS - 1923 Gibson A2 black snakehead - '83 Flatiron A5-2 - 1939 Gibson L-00 - 1936 Epiphone Deluxe - 1928 Gibson L-5 - ca. 1890s Fairbanks Senator Banjo - ca. 1923 Vega Style M tenor banjo - ca. 1920 Weymann Style 25 Mandolin-Banjo - National RM-1
Jim
My Stream on Soundcloud
19th Century Tunes
Playing lately:
1924 Gibson A4 - 2018 Campanella A-5 - 2007 Brentrup A4C - 1915 Frank Merwin Ashley violin - Huss & Dalton DS - 1923 Gibson A2 black snakehead - '83 Flatiron A5-2 - 1939 Gibson L-00 - 1936 Epiphone Deluxe - 1928 Gibson L-5 - ca. 1890s Fairbanks Senator Banjo - ca. 1923 Vega Style M tenor banjo - ca. 1920 Weymann Style 25 Mandolin-Banjo - National RM-1
Charley
A bunch of stuff with four strings
2012 Double blind test Stradivarius versus modern violins
https://www.youtube.com/watch?v=OHXOPjI9l0I
Here is my rule of thumb. Please see the posting guidelines. This is a family friendly forum
Last edited by JEStanek; Jan-29-2019 at 10:22am. Reason: Guidelines
You might want to read the posting guide lines.
Charley
A bunch of stuff with four strings
No doubt you are aware of the series of blind tests conducted in 2008 at the University of Omsk. This included a rare molybdenum kazoo created in Cremona by A. Stradivari's cousin Redondo as well as some of the finest modern examples of metal (usually food-grade-titanium) and space-age plastic, including ones made of Meldin, the same plastic that we know is the miracle substance that Blue Chip picks are made of. Suffice it to say, even the professional kazooists of the Omsk National Orchestra, including the concert master himself, chose the modern instruments over the 400 year old examples. So there! It just goes to show you.
Jim
My Stream on Soundcloud
19th Century Tunes
Playing lately:
1924 Gibson A4 - 2018 Campanella A-5 - 2007 Brentrup A4C - 1915 Frank Merwin Ashley violin - Huss & Dalton DS - 1923 Gibson A2 black snakehead - '83 Flatiron A5-2 - 1939 Gibson L-00 - 1936 Epiphone Deluxe - 1928 Gibson L-5 - ca. 1890s Fairbanks Senator Banjo - ca. 1923 Vega Style M tenor banjo - ca. 1920 Weymann Style 25 Mandolin-Banjo - National RM-1
Jim,
Touche!
Charley
A bunch of stuff with four strings
Jim
My Stream on Soundcloud
19th Century Tunes
Playing lately:
1924 Gibson A4 - 2018 Campanella A-5 - 2007 Brentrup A4C - 1915 Frank Merwin Ashley violin - Huss & Dalton DS - 1923 Gibson A2 black snakehead - '83 Flatiron A5-2 - 1939 Gibson L-00 - 1936 Epiphone Deluxe - 1928 Gibson L-5 - ca. 1890s Fairbanks Senator Banjo - ca. 1923 Vega Style M tenor banjo - ca. 1920 Weymann Style 25 Mandolin-Banjo - National RM-1
Yankees1, the Michigan luthier was probably David Burgess.
Adrian
I know Joe Curtin was involved in an experiment or two in Europe. I don't know whether he had anything to do with the demonstration in Arizona alluded to by yankees1.
David Burgess has racked up such a ridiculous number of awards at VSA conventions that I automatically suspect his involvement in anything involving an astonishing accomplishment by a Michigan luthier.
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