I recently took delivery on what is an amazing mandolin. A good friend of mine extolled the virtues of handmade, varnish finish mandolins and he is correct. Ironically he owns a Heiden which is a great mandolin but he was full of respect and awe as he tried out my new Elkhorn A-5 Deluxe. He noted correctly it had all of the right stuff. Evo gold frets, James Tailpiece, Cumberland Acoustics bridge, ebony pickguard and Waverly tuning machines. More than that this mandolin has superb workmanship, great quality woods including a once piece big leaf maple back and red spruce top.
The radiuses neck feels a tad wider but the cut of it makes it easy to play. The chop never runs out and the tone just keeps coming. When you lean into to it it the volume just keeps ramping up with great head room.
I first noticed #53, the quality looked goodie the photos on the Elkhorn website
http://www.elkhornmandolins.com/instruments.htm .
I emailed Robb about it and mentioned that I liked nickel more than gold hardware. Then #55, the Deluxe A-5 mandolin showed up. To make a long story short the stars aligned and I got this mandolin that I had watched for months like a kid looking at Sears catalog.
Well last night I got to play it in a jam situation. Not only does thing carry, the tone is rich and another mandolin player with a very nice 20+ year old Flatiron said it made his sound thin. I am very pleased with this mandolin. And the way it came to me is a bit of providence IMHO.
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