Anyone do this or see any one else playing a mandolin with a slide? i recently witnessed this at a local bash when a mandolin player was doing so. I have been intrigued since and plan on picking up a slide on my next visit to my local music store.
Anyone do this or see any one else playing a mandolin with a slide? i recently witnessed this at a local bash when a mandolin player was doing so. I have been intrigued since and plan on picking up a slide on my next visit to my local music store.
Big Muddy EM8 solid body (Mike Dulak's final EM8 build)
Kentucky KM-950
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https://youtu.be/dP1KRvE6tYU
I've always liked the slide mandolin here! Such a neat effect!
Intriguing.
I never fail at anything, I just succeed at doing things that never work....
Fylde Touchstone Walnut Mandolin.
Gibson Alrite Model D.
I've seen Rich Delgrosso and Steve James play slide. GDGD tuning, I think? (May need some non-standard string gages.) I like playing slide on guitar, but the notes sure are close together on a mando.
D.H.
Steve James gives a lesson on slide mandolin in his book (with soundtrack) Roots and Blues Mandolin. He plays a great, whiney, Delta blues, but uses complex tuning (gG Dg Bd dd). I hear strings snapping even as I think about tuning to get this sound. I think I'd want an extra mandolin just for that purpose.
Robert Johnson's mother, describing blues musicians:
"I never did have no trouble with him until he got big enough to be round with bigger boys and off from home. Then he used to follow all these harp blowers, mandoleen (sic) and guitar players."
Lomax, Alan, The Land where The Blues Began, NY: Pantheon, 1993, p.14.
I don't think Bill ever used one.
I have seen Sam Bush play slide with an electric mandolin on several occasions. Don't remember if any of those tunes are on his recordings though. Probably could find some of his slide work on Youtube.
Riley
Kentucky KM-250
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Yes, i play slide. Or did and kinda abandoned it.
Imho, its not ideal, due to quick decay.
Sams dobro is ideal.
I use get up john tuning, with better success, or adad,.
Problem too, imho, is that much past the 7th fret, it just sounds....wrong...it loses a lot of mando timbre.
A heavy slide, imho, is a must. That, and practice with note accuracy, as its much more precise a movement compared to guitar or banjo (yes i slide on banjo, and, surprisingly, it works really well)
Over the years I’ve found that the only way I can get the volume and sustain needed for slide (without feedback) is to use a solid body mandolin. Single strings sound like a high-strung guitar, so I’ve focused on 8-string electrics like the old Gibson EM200.
A heavy brass slide works best for me, specifically the Rockslide with a ballend. It makes crossing strings as smooth as can be and the tone of heavy brass is fabulous.
Reading glasses are a critical tool for me as well as intention. It’s hard work to play in tune.
Here’s a YouTube snippet: https://m.youtube.com/watch?v=CFhRP51KcCw
Peter Mix
Carbon Fiber & Kevlar Mandolins
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Waterville, VT 05492
Got a friend that open tunes his mandolin and plays slide, I don't think he can play in standard tuning.
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Yes, on occasion. As Peter notes (pun inevitable) above, it's really tricky to get the right balance, tone, and volume from an acoustic instrument, and I really have to ride the mic to get enough oomph. And the tiny fret spaces make intonation pretty unforgiving. When I get it all right, it's a pretty cool--if limited--sound. I've tried a bunch of different slides and haven't yet found one I consider ideal for my playing, but I tend to use an inexpensive, lightweight stainless steel tube or basic glass slide. I like the idea of a heavier piece of metal, but found it too hard to control on the mandolin fingerboard.
Just one guy's opinion
www.guitarfish.net
My $.02... I think it's a question of whether you want to add a little something extra to your standard mandolin playing, or whether you're really interested in slide as a unique "voice" for stringed instruments. If it's the latter case, then I think you're better off learning slide guitar.
I know I'm biased because I played slide on guitar for many years before ever picking up a mandolin, but it's so much better suited for the technique. More strings for playing full chords, the option of a bass line with fingerpicking, less critical intonation, and you can use a wider sweep for slide vibrato. A short mandolin scale necessarily means a "cramped" slide technique.
There are some tricks on guitar that just aren't practical on mandolin, like the way I'd play a minor chord in Open E or Open D tuning by fretting behind a bottleneck slide (worn on the ring finger), to get the minor third. That's incredibly useful for playing slide with more chord variety, so you're not locked into major chord shapes. You can even fret ahead of the slide too. Or you can go in a completely different direction with lap-style slide guitar and a Stevens steel bar, using slants to get your alternate chords in open tuning.
There is just so much more depth available on guitar for slide technique, compared to mandolin. I'm not saying you shouldn't try playing slide on mandolin, it can be a lot of fun! I just don't think it's a good platform if you really want to get into slide technique.
He played it on "Lonesome and a Long Way from Home" in that 1975 album from the Telluride Bluegrass Festival. In an interview with Mandolin World News, Sam stated that he bought a Dobro mandolin but the intonation was out and couldn't be fixed, so he used a slide with it negating the need for it to be in tune at each fret.
"Those who know don't have the words to tell, and the ones with the words don't know so well." - Bruce Cockburn
I have a few thoughts.
First off, here's a few videos of slide mandolin in standard tuning.
I started teaching myself slide mandolin by watching and listening to guitar players in open G and open A tuning. That let me maximize the ideas based on the GD and AE string pairs. It also let me learn the pentatonic scales and experiment with them while playing along, both with and without slide.
Over the years, i've bought and used numerous slides on guitar. I prefer slides which are more secure/fitted (no Coricidan bottles). I love the knuckle slides and the Dunlop Shy Slide for still allowing the use of the fingers for fretting. I love glass for its smoothness, my Mudslide and Bigheart ceramics for their weight and smoothness, and my brass slides for being durable.
A few years ago, I was considering getting a Peaceland Guitar Ring to have something a little wider than a knuckle slide, but which still allowed full finger use. As I was searching for user experiences, vids, and so on, I stumbled across the Jetslide.
http://www.jetslide.com
It's a ring with a slide bar attached, but goes beyond the rotating slides of that sort by only coming into play when you grab that tab with your pinky. It looked cool in that it supposedly gets out of the way when your pinky isn't on the tab. The various videos I found showed people using it just as described with no problem.
So, I decided to order one, the brass (for weight) with the glass sleeve (for smoothness).
https://www.jetslide.com/product-pag...s-with-glass-1
The website has instructions for determining the correct size, but they offer a free exchange in case your sizing fu isn't up to snuff. I did the described paper tape procedure on their website, and then went to a jewelry store to double check, and the two measurements were identical. I placed the order.
It arrived.
It took no time at all to incorporate it into playing. Switching back and forth between use and release is fast.
One of the stranger aspects to me is that when I'm using it, it feels weighty, like a heavy steel-guitar tonebar. Even with that feeling of weight though, it feels completely secure just using the ring finger and pinky.
And it works on mandolin, using the same patterns I worked on for blues.
It's semi-adjustable, but since it currently fits perfectly I can't comment on that aspect of using it. The ease of use has made slide an easy flavor/texture to add even for just occasional vibrato, as opposed to "Here's that song where I pull out the slide."
I've never seen another slide which was so fast to bring in and out of play, and it leaves the hand and fingers free for everything else when not in use.
Whatever you choose to do and pursue, good luck!
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Playing a funky oval-hole scroll-body mandolin, several mandolins retuned to CGDA, three CGDA-tuned Flatiron mandolas, two Flatiron mandolas tuned as octave mandolins,and a six-course 25.5" scale CGDAEB-tuned Ovation Mandophone.
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Sam bush plays it constsantly with a resonator mandolin. Here’s an example. https://youtu.be/oQ1plN4_sSk
Check out ‘the ballad of string bean and Estelle’ from Laps in seven’ or ‘lefty’s song’ on storyteller
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