I prefer a bare fingerboard--no inlays at all. I need those side dots for sure, but i never look at inlay for reference and I love the look of a simple, unadorned ebony or rosewood fingerboard.
I prefer a bare fingerboard--no inlays at all. I need those side dots for sure, but i never look at inlay for reference and I love the look of a simple, unadorned ebony or rosewood fingerboard.
Just one guy's opinion
www.guitarfish.net
My "daily" banjo, an old Regal tenor pot with a long "Pete Seeger" neck built by an individual maker in NJ maybe 40 years ago, verges on the garish. Looks like the guy who built the neck, sent away for every pearl inlay Stew-Mac was selling, and stuck them all in the ebony somewhere.
I like inlays, especially ones that are reserved for special instruments; I have a Taylor XX-MC "20th anniversary" guitar that has a very nice commemorative inlay.
If you want to check out what's probably the ultimate in inlay "artistry," William "Grit" Laskin of Toronto may be about as ornate as it gets.
Allen Hopkins
Gibsn: '54 F5 3pt F2 A-N Custm K1 m'cello
Natl Triolian Dobro mando
Victoria b-back Merrill alumnm b-back
H-O mandolinetto
Stradolin Vega banjolin
Sobell'dola Washburn b-back'dola
Eastmn: 615'dola 805 m'cello
Flatiron 3K OM
Side Marker Dots Absolutely Needed
1) None [Elegant & Classy] FAVORITE
2) Dots [Simple & Traditional]
______________________________
3) Artistic [Just a little over the top for me]
4) Blocks [Too much like solid body electric guitar & block shape doesn't seem to go with mandolin's body flow]
These are just my personal opinions, nothing else
2011 Black A5 (#9) Mandolin
1952 Gibson A-40N Mandolin
1924 Gibson TB-1 Trapdoor Tenor Banjo
1975 Gibson MK-35 Hybrid Braced Dreadnought Guitar
1993 Washburn M3 SW/TS F-Style Mandolin
2004 Martin D-16 GT Dreadnought Guitar
2006 Martin DC-16RGTE AURA Dreadnought Guitar
1997 Seagull S6 Dreadnought Guitar
1970's Kay KB-52 5-String Banjo
1960's Pirles 4-String Tenor Banjo
I really like the MOP Buds on my Weber Yellowstone. Very subtle and the detail is beautiful.
2014 Weber F Style Yellowstone HT
2014 Weber "Special Edition"
2012 The Loar LM 500 VS
I've always liked the vines, one of mine has them
Doc Ivory
-Play loud, live long..
I've always liked the tree of life (vine) inlay , since Ibanez did it back in the 70's. I have owned 6 Ibanez jem with the tree of life, still have 2. I have one mandolin with it. I'm having a solidbody octave being made with the tree if life inlay. Even bought my other half an ibanez euphoria acoustic with the tree of life, she could have or not the inlay, but she loves the sound of the guitar. So yea I like different inlays
Ibanez 70's 524, 521, 3 511's,2 512's,513,1 514,3 80s 513's, 522
J Bovier F5-T custom shop
Kiso Suzuki V900,
The Loar lm600 Cherryburst
morgan monroe mms-5wc,ovation
Michael Kelly Octave Mandolin
Emandos Northfield octave tele 4, Northfield custom jem octave mandolin 5 octave strat 8
2 Flying v 8, octave 5, Exploryer octave 8 20"
Fender mandostrat 4,3 Epip mandobird 2,4/8, Kentucky. KM300E Eastwood mandocaster
Gold Tone F6,Badaax doubleneck 8/6
Well … pretty comes after tone , touch and cost …. my general feeling is … meh. Although Vassar Clements had a fiddle with a vine inlay on a portion of the neck that I always thought was attractive. R/
I love hanging out with mandolin nerds . . . . . Thanks peeps ...
Ironically, I have a 1930s Epiphone archtop guitar with those same inlays coming to me in the next week or so.
There is something quite enchanting about an early torch and wire F-4 and I also love the inlaid "south Jersey" pickguard. I generally prefer the simpler but looking at those makes me happy.
From the same era (more or less) made in Nazareth, PA (2 different style 6 bowlbacks from 1902) I have a feeling that the inlays were never the same on any two of these upper end Martins:
Jim
My Stream on Soundcloud
19th Century Tunes
Playing lately:
1924 Gibson A4 - 2018 Campanella A-5 - 2007 Brentrup A4C - 1915 Frank Merwin Ashley violin - Huss & Dalton DS - 1923 Gibson A2 black snakehead - '83 Flatiron A5-2 - 1939 Gibson L-00 - 1936 Epiphone Deluxe - 1928 Gibson L-5 - ca. 1890s Fairbanks Senator Banjo - ca. 1923 Vega Style M tenor banjo - ca. 1920 Weymann Style 25 Mandolin-Banjo - National RM-1
Too much for these old eyes. I m leaning towards no inlays in the fretboard.
Ditto on the block inlays, I love them as well. I recently commissioned and received a custom build A5 from Tom Ellis that's just drop dead gorgeous. Abalone Fleur de lis headstock inlay, abalone fretboard inlays AND.... drum roll please.... special order custom tailpiece engraved by Weldon Lister. One piece quilted maple back and tortoise shell binding rounds it out. Ellis' Facebook posted a few pics and if I can figure out how, I'll post some here as well.
No dots here. First pic of a fully appointed F5 from the new batch from OZ. My 5jr. (R) has small fret wire and a flat board. It was two days old in pic, now nearing its first birthday in November.
Last edited by mtucker; Oct-06-2018 at 7:59am.
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