Re: Ffcp
OK ... here is how I would approach where you are stuck. The entire FFCP major scale needs to worked within melodies that you are familiar with. This is to establish the bond between finger placement and the tone you hear in your head from the known melody. What interval is next in the tune from where your fingers currently are placed. Once you start getting a grip, hahaha, on that you can start to use the partial scales ie. pentatonic etc. in creating improvisations on the melodies that you have already worked up. Then moving on to new melodies as well. Partial scales , arpeggios blues scales not forgetting syncopation are simply tools. When you understand well enough how to use them in conjunction with your own ear and musical imagination you will be at the next level of playing what you hear in your head. Play on! R/
I love hanging out with mandolin nerds . . . . . Thanks peeps ...
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