I wrote initially with the idea of just listening. But, if listening included playing with, someone at close to the same playing level or a little above mine, and grow together playing together. Person would need a positive personality, willing to think outside the box and a team player.
Tony Huber
1930 Martin Style C #14783
2011 Mowry GOM
2013 Hester F4 #31
2014 Ellis F5 #322
2017 Nyberg Mandola #172
The Stat Man.
Tradition, progressive, spiritual, humorous. One of my favorites. Old brooklyn and super string theory just are...unique, brilliant.
I see your interpretation. Lately, I mostly listen to effect my playing. With nobody to listen to, I would bore myself with my own playing and would probably drop my mandolin obsession. One of the things I love the most about music is the give and take playing with another player. Without that...not sure what's the point. Well, I guess listening, just taking, got me most of the way to where I am so... I would not be overthinking this would I?
Tony Huber
1930 Martin Style C #14783
2011 Mowry GOM
2013 Hester F4 #31
2014 Ellis F5 #322
2017 Nyberg Mandola #172
Don Rigsby, then Nathan Livers if Don were to call in sick one day.
Payton
Eastman md815v
Eastman md515
For emotional expression, power, originality and strangeness, Yank Rachell gets my vote. The Sonny Sharrock of country blues mandolin.
I vote Caterina Lichtenberg.
Easily Chris Thile.
Waterloo WL-M
Blues Mando Social Group - member
Let's not forget the great Buddy Merriam.
“Mandolin brands are a guide, not Gospel “
- Data Nick
Bookmarks