Cheers for posting that Paul, really enjoyed that - now I want to go off and learn Paddy Kelly's Reel!
Cheers for posting that Paul, really enjoyed that - now I want to go off and learn Paddy Kelly's Reel!
2018 Girouard Concert oval A
2015 JP "Whitechapel" tenor banjo
2018 Frank Tate tenor guitar
1969 Martin 00-18
my Youtube channel
Here's more Declan Corey on mandolin, again courtesy of a session.org posting - is that Andy Irvine in there as well?
2018 Girouard Concert oval A
2015 JP "Whitechapel" tenor banjo
2018 Frank Tate tenor guitar
1969 Martin 00-18
my Youtube channel
I remember seeing quite a few of Neal Pointon's fiddle videos from when he was a young fella, found this one of a session with him on mandolin too..
2018 Girouard Concert oval A
2015 JP "Whitechapel" tenor banjo
2018 Frank Tate tenor guitar
1969 Martin 00-18
my Youtube channel
I've been following Darragh Carey-Kennedy since he was about 10 years old when I first saw a video of him that Tom Cussen of Clareen Banjos uploaded. Here's a video of him from 4 years back playing Tommy People's Jig:
And here's a more recent one of him, all grown up now and playing a harp banjo (a Clareen by the looks of the headstock logo)...
2018 Girouard Concert oval A
2015 JP "Whitechapel" tenor banjo
2018 Frank Tate tenor guitar
1969 Martin 00-18
my Youtube channel
"But wasn't it all stupid nonsense, rot, gibberish, and criminally fraudulent nincompoopery?"
- Neal Stephenson, Quicksilver
This explains a lot - the mandolin must be played with a very round pick, no click, middle frequencies pronounced: it almost sounds like a box itself. Is that why I could not tell it apart from the real box in the live video?
It is also exactly the sound I try to avoid when playing - I love, no I crave the crisp and brilliant high frequencies that come with sharp and pointy picks. A matter of preference, of course, again.
On the far right? If that is Andy Irvine, some terrible tragedy has wiped all the youthful humor and mischief from his eyes and shattered his general appearance. There is a certain resemblance, but no more, I guess. I've never heard of Andy attending sessions, btw.
the world is better off without bad ideas, good ideas are better off without the world
The other thing - about the reel rhythm here - I think Bertram mentioned, or someone else.. is what you tend to get when deploying a bass in the music - nature of that beast. In the 'trad' I played on upright this is what we got with even time - it was fine for dances, but not the inflection I give reels on other instruments. In jig time you can make a bass sound more traditionally lilt - especially with a bow - but in fours it definitely provides a different feel.
Add two more thumbs up for Declan's playing! I really enjoy his work with Josephine Marsh, and though not strictly trad, check out Lia Luachra ; some great stuff too.
Joe
The session videos show how the principle of having only one rhythm instrument playing at a time - apparently some sort of golden rule in some American ITM sessions - doesn't apply everywhere. It's never been a "thing" at any of the sessions I know.
Fine playing here from a young man, Darragh Dunleavy. 15 minutes of tunes - if you watch it on youtube there is a list of the tune names with links to take you straight to the tune - good if you want to practice along
Another one with the mandolin too low in the mix. Great fiddle playing though.
Very nice fiddle except for the very heavy handed guitar playing, he's practically drumming the thing. But wouldn't this be more folk rather than Irish trad? She seems to have a very english touch to her playing. I really like it very 'sweet' is about the closest I can get to describing it, maybe 'pretty' would be a closer one. (Both could be misconstrued, so just emphasising they're not used negatively here.)
Eoin
"Forget that anyone is listening to you and always listen to yourself" - Fryderyk Chopin
As we're talking about irish trad mandolin spotting, this thread would not be complete without some of this:-
I thought the mandolin here was a Fylde Single Malt, but unsure after seeing the headstock on it.
2018 Girouard Concert oval A
2015 JP "Whitechapel" tenor banjo
2018 Frank Tate tenor guitar
1969 Martin 00-18
my Youtube channel
The headstock shape, the tailpiece, the absence of a zero fret and the smooth color scheme of the top say it's not a Fylde Single Malt. But that is a nice jolly ensemble playing there.
the world is better off without bad ideas, good ideas are better off without the world
Thanks for posting that clip Jill. Kevin is one of my favourite musicians and I've been in several excellent sessions with him. He even looked after me with multiple hot toddies when I was under the weather with a bad cold on one occasion! I'm not sure what the mandolin is but it's not a Single Malt. The playing is really excellent as Bertram said.
And that is one lovely Dave Boyle banjo that he's playing in that clip! I had the opportunity back home to buy a second hand Dave Boyle tenor, from an American bloke I met at the Johnny Keenan Banjo Festival but at the time I was saving to move to the States so I passed on it. Kicking meself for that now!
2018 Girouard Concert oval A
2015 JP "Whitechapel" tenor banjo
2018 Frank Tate tenor guitar
1969 Martin 00-18
my Youtube channel
I LOVE that video and everything else Eoin O'Neill puts his hand to! No offense to the mandolin players of course!
"But wasn't it all stupid nonsense, rot, gibberish, and criminally fraudulent nincompoopery?"
- Neal Stephenson, Quicksilver
Since there's already a tenor guitar video posted in this thread I couldn't resist putting this one up as well:
2018 Girouard Concert oval A
2015 JP "Whitechapel" tenor banjo
2018 Frank Tate tenor guitar
1969 Martin 00-18
my Youtube channel
Jill, as far as I know, Quentin Cooper makes instruments, and the mandolin he's playing is one of his own. What a great blend those three make, magic!
I know that fiddle player a bit and she sat in on a klezmer gig I was playing at a couple of months ago, small world!
Last edited by Paul Cowham; Jun-06-2016 at 4:20pm.
"But wasn't it all stupid nonsense, rot, gibberish, and criminally fraudulent nincompoopery?"
- Neal Stephenson, Quicksilver
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