Of interest, and a very enjoyable read:
How Marshall's Northfield Mandolins Became an International Bluegrass Favorite
Of interest, and a very enjoyable read:
How Marshall's Northfield Mandolins Became an International Bluegrass Favorite
"With every single instrument, Smith says, the company documents everything -- new materials, new wood, new processes and steps. Bagale says this experimentation can lead to a few duds..."
What happens when these premier instrument makers have a "dud"? I know they wouldn't want a sub-par mandolin out in the world with their name on it, but the fact is, a sub-par Northfield is probably still significantly better than, say, a $125 Rogue from the local Guitar Center.
It might be possible to just remove the logo from the headstock and release it into the wild?
And I know at least one person who wouldn't mind having a beautiful F5 as his primary gigging instrument, since appearances are 90% of the battle...
I'm wondering about the duds as well. Doesn't exactly inspire me to go out and roll the dice on a Northfield.
Update: I actually emailed them, and within 15 minutes Adrian Bagale got back to me! In short, you don't need to worry about "rolling the dice" -- if they have a sub-par instrument, you're probably never going to see it.
He said they may disassemble and salvage various parts, or keep it "in the family" (give it to a kid as a starter, or keep them in the workshop as loaners). I hope he won't mind me quoting him here:
"A dud can be deemed a dud for many reasons. Usually it just means that it doesn't live up to the standard we set - cosmetically.. sometimes in terms of sound. I don't think there's ever been a time where an instrument wasn't playable unless we tried something very atypical about the building process and had some sort of structural failure. Those pieces never made it out the door - we probably disassembled and salvaged parts we could." -- Adrian Bagale
I think it's a pretty fantastic answer... they seem to really value the resources they work with, and learn as much as they can about what works and what doesn't so they don't repeat those "atypical" processes. We all know that not every instrument is going to be perfect... I'd guess that even Gibson has a mandolin graveyard from somebody trying to carve a top a little too thin....
I know the article does not address your concerns Stevo, but I'm sure the boys at Northfield cull out anything they might consider a 'dud'. After all, it is their reputation at stake. Maybe they'll read this and chime in.?.
Clark
Edit: Sorry, I did not see Drew's post above when I began typing.
Hi everyone. I think you have to take this in the correct context --> we experiment a lot and sometimes things work and sometimes they don't. The comment in the article was written in the spirit of discovery not to uncover some kind of liability with our instruments. We do not sell instruments that we're not happy with. Period.
Back to work. -Adrian
Gosh, Northfield has so many world class players as their artists I don't think it's a roll of the dice to get one...here's the list from the Northfield website.
Mike Marshall
Adam Steffey
Emory Lester
Aaron Ramsey
Don Julin
Jefferson Louvat
Joshua Rilko
Martino Coppo
Michael Beauchamp
Zeb Snyder
Zach Alvis
I got mine last year and couldn't be happier with it...my F5M #268 plays, sounds, and looks beautiful! I take Skype lessons with Emory Lester and he has his new Artist Series and it is a beauty!
i didn't know how Adam S came to be involved with NF, real neat story on that. i really liked my NF. it had the wider nut, 1 piece back, and just sounded really nice.
one has to wonder sometimes why you do what you do(sell a dandy mando to go after another...............).
i love my Collings, but there will be another Northfield in my family before its over.
d
article just recently published in Fretboard Journal regarding Northfield:
https://www.fretboardjournal.com/fea...ield-mandolins
Adrian, There has been some discussion between myself and a few friends as to where the Northfields are made, one fellow said made in China and finished in the US, another person says they are also being made in Michigan...
I am sure you can clear this up for us..Or anyone one else that knows for sure...
Thanks in advance....Willie
I guess I should have read the above post first...My bad...
Willie
this link will provide all your answers and more:
http://www.northfieldinstruments.com/about-us/our-story
click on each title on the left side for more info:
"our team"
"Our workshop in Qingdao"
The Northfield 'story' got a tad confusing a while ago. We all knew about them being made in China & being 'finished' (final set-up i think) in the US,but now we learn that some are being made in Michigan. Are Northfield making any distinction re. 'which are made where' ?. I only ask because as we know,to 'some folk' it does matter,maybe less that it once did,but nevertheless....,
Ivan
Weber F-5 'Fern'.
Lebeda F-5 "Special".
Stelling Bellflower BANJO
Tokai - 'Tele-alike'.
Ellis DeLuxe "A" style.
I've had great mandolins and great service form Adrian. 100% in both cases.
Trevor
Formerly of The Acoustic Music Co (TAMCO) Brighton England now retired.
i think the only model that was/is made totally in the USA is the M series.
i do not know if the Artist series are fully made in the USA or if they are the combined effort.
every Northfield I've played has been an excellent mandolin. i really like the black top F5S that TejonMusic has right now.
been thinking on that one hard for some time, but I've had a string of Vet bills for one dog and a cat that wiped out my instrument fund savings($2900).
Hi Daryl - Get yourself some pet insurance !. Vet's bills can be HUGE !. My own 2 cats have insurance up to the value of £12,000 UK ($17,250 US) of treatment each. OK it costs a bit per month,but it's worth it for peace of mind & your ''mandolin fund''. I pay it & pray to our gracious Lord that they'll never need it,
Ivan
Weber F-5 'Fern'.
Lebeda F-5 "Special".
Stelling Bellflower BANJO
Tokai - 'Tele-alike'.
Ellis DeLuxe "A" style.
I've been reading about Northfields for about a year and have not been able to play or even see one. Looked up their distributors, found one about 60 miles away went there close to a year ago. They were fresh out of Northfields but would call me when another came in, have not heard a word from them and now they are not even listed as a distributor.woolen love to pay one to see for myself how good they are.
All I can say is we've had more really great players show up to the concert series using Northfields than any other. Years ago, players would bring their prized high-end instruments. Lately, very few, and mostly Northfields. Traveling can be a gamble, and these are just inexpensive enough to not have to worry as much, plus, they sound great. Each individual player sounds exactly like himself on his recordings, so that's about all you can ask for, period.
Northfield deserve all the praise they're getting, in my opinion. I've played 4 F5S models, one A Style master model and one F2. All were beautifully made, great playing and great sounding instruments.
With all of these high praises on here they don`t need to advertise very much do they? I am going to try and find a dealer myself just to see if what I am reading is factual, I`m sure it is but different people like different things ...SO I have to see for myself....
I recently had a chance to play a friend's Northfield and was very impressed. It sounded like it should have costed at least double of what the buyer paid.
Old Hometown, Cabin Fever String Band
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