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Thread: C Chop Chord Fingering

  1. #1

    Default C Chop Chord Fingering

    I'm working on the C chop chord and have seen a fingering that frets the 1st and 2nd strings with the middle finger. I can't even sort of do that; I have to mute the 1st string with my pinky or just try not to hit it when I strum.

    Does anyone play the fingering that frets both 1st and 2nd strings? It seems impossible...

  2. #2

    Default Re: C Chop Chord Fingering

    K-J,
    Do you mean :

    string - Fret - Finger
    (E) - 3 - Middle
    (A) - 3 - Middle
    (D) - 2 - First
    (G) - 5 - pinky

    It's not exactly clear. It that's the case, I seems to be a common fingering.

  3. #3
    Registered User Galileo's Avatar
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    Default Re: C Chop Chord Fingering

    If I'm playing a C chop chord, I don't play the first string G note (3rd fret). Most of the emphasis for that chop chords' annunciation is going to come from the 4th and 3rd strings.

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    formerly Philphool Phil Goodson's Avatar
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    Default Re: C Chop Chord Fingering

    When you're playing that C chord, just let your middle finger lean over a little towards the first string. Either it will fret the G note, or it will mute the 1st string. OR .... you can forget the first string and if your pick hits it, it doesn't matter since it's E and a part of the C Chord anyway (if you don't mind its ringing out a little).
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    Default Re: C Chop Chord Fingering

    I just play the C on the G,D,& A strings and don't worry about the E. There are lots of ways to get a good chop and it comes from the low strings not the high strings.
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  7. #6
    Oval holes are cool David Lewis's Avatar
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    Default Re: C Chop Chord Fingering

    The key is the lower notes: once you get that, chopping becomes manageable. (If not easy... no, not easy... )
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  9. #7

    Default Re: C Chop Chord Fingering

    Great, thanks everyone. First post successful!

  10. #8
    Registered User DavidKOS's Avatar
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    Default Re: C Chop Chord Fingering

    I know this is not the usual "chop" fingering but do any of you guys use the C chord fingered:

    5573

    or 5578?

    or the G 4553 or 7557 ?

    Just curious, thanks.
    Last edited by DavidKOS; Feb-01-2016 at 9:08am.

  11. #9
    Registered User Drew Egerton's Avatar
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    Default Re: C Chop Chord Fingering

    Depending on what the song calls for, I like to do:

    (E) - 3 - First
    (A) - 3 - First
    (D) - 5 - Middle
    (G) - 5 - Middle

    That's obviously taking your problem and making it worse! You should try practicing it every once in a while though just to get better at it.
    Getting two sets with one finger is pretty difficult a lot of times. Sometimes it's good enough to just grab the 'inner' strings of each set instead of all 4, depending on the context.

    You can also of course take the 4 finger G shape and move it down the neck for C. I do this a lot too, but the problem I have with it is that the pinky winds up on the 12th fret which makes a harmonic.

    Either way, like others have said, focus on G, D and A strings and just make sure the E doesn't do anything too annoying.
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    Default Re: C Chop Chord Fingering

    I just use the 523X shape, as I like a good chop chord to be mostly from the 3rd and 4th strings for a good percussive/bassy sound. I don't like chop chords that have the tinkly treble notes.

    And yeah, I don't have wide enough fingers to be able to fret two adjacent courses for any chords like some people can. Those of us who don't have sausage fingers just have to find ways to work around it.

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    Default Re: C Chop Chord Fingering

    I don't know who said we could only chop one chord shape. If the banjo is vamping most use alternate chord shapes. I do that a lot on mandolin and at times use several different shapes they all can be chopped and give a different less boring sound. It also shows everyone that you know chords all over the mandolin LOL

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    Innocent Bystander JeffD's Avatar
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    Default Re: C Chop Chord Fingering

    Quote Originally Posted by pops1 View Post
    I just play the C on the G,D,& A strings and don't worry about the E. There are lots of ways to get a good chop and it comes from the low strings not the high strings.
    Yea that is what I have been doing.

    There are choices for three finger chords, that usually involve either skipping the high E or skipping the low G. When I am chopping with a three finger chord I generally I pick the version that leaves the high E string out. Deeper sound, and I can chop down more authoritatively with the G in there. Don't have to look. If I am just playing a chord backup, and not worried about a percussive chop, I go with what seems to work best with the tune.
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    Default Re: C Chop Chord Fingering

    Quote Originally Posted by Tobin View Post
    I just use the 523X shape, as I like a good chop chord to be mostly from the 3rd and 4th strings for a good percussive/bassy sound. I don't like chop chords that have the tinkly treble notes.
    That's it exactly.
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    Default Re: C Chop Chord Fingering

    Be patient , practice right hand accuracy, use more than one form of major chord three and four tone fingerings to keep you rhythm playing interesting. Use two tone / double stops on the G and D strings when you move around. Two strings can be played with one finger either with the tip of the finger , if you have big enough fingers. Or by using the side of the finger ala guitar bar chord. Luck ...
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  19. #15
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    Default Re: C Chop Chord Fingering

    I play a chop for C
    Asrting 3rd
    Dstring 2nd
    Gstring 5th

    I do a similar thing for G
    Gstring 4th
    Dstring 5th
    Astring 2nd

    Nice deep chop and I like it better than the typical bluegrass chop going to the 7th fret, easier and to me sounds better.
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  20. #16
    Middle-Aged Old-Timer Tobin's Avatar
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    Default Re: C Chop Chord Fingering

    Quote Originally Posted by DavidKOS View Post
    I know this is not the usual "chop" fingering but do any of you guys use the C chord fingered:

    5573

    or 5578?

    or the G 4553 or 7557 ?

    Just curious, thanks.
    I have experimented with chopping using shapes like this, that are more barre chords than traditional mandolin chop chords. My overall impression of them is "meh". They just don't have the same punch. Part of what makes a good chop chord is the ability to immediately mute the notes by easing finger pressure ever so slightly, but with high precision and timing. That's easier and more effective when all the notes are played with a fingertip instead of the side of a finger.

    And traditional chop chord shapes are easier to hold for long periods of time than barre chords. In bluegrass, mandolin players spend most of their time chopping.

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  22. #17
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    Default Re: C Chop Chord Fingering

    mostly 523x
    but 557x anytime it's closer

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  24. #18
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    Default Re: C Chop Chord Fingering

    Quote Originally Posted by Tobin View Post
    I have experimented with chopping using shapes like this, that are more barre chords than traditional mandolin chop chords. My overall impression of them is "meh". ...etc.
    I appreciate the answer. I was wondering if it also had to do with the voicing.

  25. #19
    Oval holes are cool David Lewis's Avatar
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    Default

    You could cheat a bit and finger it

    0 2 3 0. Or better just 0 2 3 x
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    Registered User J Mangio's Avatar
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    Default Re: C Chop Chord Fingering

    523x
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  27. #21

    Default Re: C Chop Chord Fingering

    Quote Originally Posted by DavidKOS View Post
    I appreciate the answer. I was wondering if it also had to do with the voicing.

    I do the 5578

    but I guess I would call it more of percussive than chop if that makes any sense.
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  29. #22
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    Default Re: C Chop Chord Fingering

    523x
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  30. #23
    Registered User DavidKOS's Avatar
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    Default Re: C Chop Chord Fingering

    Quote Originally Posted by allowishish View Post
    I do the 5578

    but I guess I would call it more of percussive than chop if that makes any sense.
    Yes, although the chop is a percussive backbeat strum to begin with, so the dividing line is a bit thin.

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