You can view the page at http://www.mandolincafe.com/forum/co...e-of-Mandolins
You can view the page at http://www.mandolincafe.com/forum/co...e-of-Mandolins
This is really exciting stuff! It's very cool to see a company so willing to experiment and innovate, and the fact that great artists keep stepping up to be part of the process adds credibility, for sure. Hope to be able to try one of these out soon...
Chuck
Wow, the one Mr. Marshall is playing at 34:20 on this video is just wonderful sounding. I thought I didn't want another F...
Exciting project. Will be interested to see the details -- specs, based on Mike's Loar?, pricing?
In the music that plays throughout the shorter video, is either of the mandolins a Northfield? I'm guessing no, since that is from Mike and Caterina's first album from several years ago.
Great video and very informative.
Nic Gellie
That last one DID sound good through my computer.
I got a chance to play one of their new demo mandolins labeled "Ribs" earlier this year. I can say it was the best mandolin I'd ever played. The depth and punch it has was fantastic. I would have bought it if I had the chance. I still love my Northfield Big Mon but their new ideas are really something else. I'm looking forward to checking them out more in the future. Just when you thought MAS has ended, they come out with something even better. :-)
@McIrish, I have yet to play one of the new Artist Series, but was thinking the same thing when I saw these videos. I have played a bunch of mandolins, some five times the price of my Big Mon, and I have yet to date played one I would rather than my mandolin. I thought may MAS had ended, but as soon as I heard those mandolins on the video, I started thinking I might need a new instrument in the future.
@Marcus, I believe Mike and Martino are playing it on Northfield Mandolins, at least that is what the video would have me believe, as they start playing after Mike says something about it rolling, and it ends with them sitting there around the music stands. I also listened to the audio in the video compared to the audio from Mike and Caterina's album, and the sound is totally different. My bigger question would be is Martino playing his Big Mon or one of the new Artist Series mandolins, the wear on the top would lead me to believe that it is his personal mandolin, but who knows. The sound from whatever is be played is incredible.
@Northfield great job continuing to push your instruments to the next level.
...and now I am not sure, listened again at home (not on my work computer in an office) and the two audios do sound the same as Marcus suggested.
Hi everyone. Thanks so much for all the encouraging comments as well as the phone calls and emails we've been fielding since Monday. It's been a bit of a blur actually. I want to get back to a few of the pending questions here.
Specs: These new mandolins are based on a lot of different ideas and concepts. They are not based on one instrument, Mike's or otherwise, rather a combination of a lot of different observations and design changes. We're working on compiling the details so they're easier to take in. Some of them are discussed in the interview that a few of you have mentioned here which can found on our site. We'll be happy to answer any questions over emails and phone calls in the meantime.
Music: The soundtrack to our short video is from Mike and Caterina's album together. We put a credit at the very end but I realize there's a lot to take in with the video. The track is "Gankino" from their 2010 release. We love this tune and it fit perfectly with the type of editing we wanted to do for the various scenes. Tempo, and feel were perfect and we feel very lucky to have been given permission to use it. Right now Mike is working on some recordings with the first instrument variations that will be available in late fall. These tracks will go up on our site on the Artist Series page along with all of the specs in the next 2 weeks.
Thanks again everyone. -Adrian
I decided to buy one of the Artist series mando's in the 5-bar red spruce configuration, have been in discussion with the boys at Northfield on this for some time. The tone of that mando blew me away. I am looking forward to delivery with Adrian and Peter later this year after IBMA and a few other shows in Oct/Nov.
For anyone interested... the tech used in the design and refinement of this mandolin is better than any other company I know of here or abroad. The only thing close to being as innovative is the approach Greg Smallman takes with his guitars. Smallman's cost 30K new right now, for reference. $5,800 seems quite affordable, when you consider a Collings F5M-V is about $11,000. I've played all the Collings models, and preferred the Northfield's tonal qualities. Just suited my ear better.
Please, if you get a chance to go to IBMA to see/try the new instruments... do it. You won't be sorry. These will go like hotcakes.
I decided to buy one of the Artist series mando's in the 5-bar red spruce configuration "named 'Ribs' " visible in the video at 32:20 and 34:40, have been in discussion with the boys at Northfield on this for some time. The tone of that mando blew me away, and what Mike has done with it is incredible. I am looking forward to delivery with Adrian and Peter later this year after IBMA and a few other shows in Oct/Nov.
For anyone interested... the tech used in the design and refinement of this mandolin is better than any other company I know of here or abroad. The only thing close to being as innovative is the approach Greg Smallman takes with his guitars. Smallman's cost 30K new right now, for reference. $5,800 seems quite affordable, when you consider a Collings F5M-V is about $11,000. I've played all the Collings models, and preferred the Northfield's tonal qualities. Just suited my ear better.
Please, if you get a chance to go to IBMA to see/try the new instruments... do it. You won't be sorry. These will go like hotcakes
On Monday I was lucky enough to stop by the Northfield shop in Marshall, Michigan (a town which, in some superior alternate universe, is the true capital of Michigan).
Adrian was kind enough to pause his labors and show me around their stunning building, and to let me spend some time with the four Mike Marshall artist models hanging on the wall. These did not yet have labels in them. As best I can recall, three of them were Engelmann spruce, the third from the left was red spruce, and all four were in the two-bar configuration. I had a hard time concentrating on specifics due to euphoria, etc. I'll correct below if I learn my memory is wrong in any particular.
All four sounded great. Really great. Well balanced across the strings, quick response, and, unlike most new f-styles I've played, the quality of the E string wasn't at the cost of the G string (or vice versa). Good all the way up the neck.
I play mainly classical, not bluegrass, so maybe my opinion is moot. But I liked the sound of these better than any other newish company-made mandolin I've played (including other Northfields and some much more expensive instruments by other makers). I've played my share.
If you are considering one of these, go for it.
My favorite (by the slightest of slight margins) was the second from the left, which I understand was only a few hours old. I've attached a closer shot of that particular mandolin.
Just ordered this one-
Artist #30, a custom 5-bar Engelmann top that we started some 9 months ago shipped out today. Arrives Wednesday... can't wait! Will post pics and sound files when available.
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