Re: Northfield Model M
Originally Posted by
Nick Gellie
Based on the videos posted it has a bright modern sound rather than the richer tone of an Ellis or Pava A5 mandolin. It all depends what one wants from the tone of a mandolin.
Very much so. There are distinct "family relationships" between different makers, and even "generational" relationships, i.e. X-braced Gilchrists vs. tone bar models, or Dave Harvey era Ferns vs earlier periods. Certainly so in the case of Ellis/Pava. The Northfields do not sound like any of the above, they seem to have something of their own going on which to my ears is quite distinctive. Lots of volume and "cut", tending toward to the "dry" end of the spectrum. Nicely balanced. I rate them very highly, though there are such a wide range of tonal "families" available these days in high grade mandolins, that you could argue until the cows come home about "best" and "better"! It really is down to personal preference once you get up to a certain level. My view is it makes no difference where something is built. If the skills are there, the materials are good, and the consistency is there, all that really counts is the instrument that emerges at the end. So today, we have a better choice than ever of very fine instruments from the US, Canada, Australia, Europe and China. Take your pick... and be happy there are so many to use it on!
Gibson F5 'Harvey' Fern, Gibson F5 'Derrington' Fern
Distressed Silverangel F 'Esmerelda' aka 'Maxx'
Northfield Big Mon #127
Ellis F5 Special #288
'39 & '45 D-18's, 1950 D-28.
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