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Thread: Paul Hathway Octave Mandolin

  1. #26
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    Default Re: Paul Hathway Octave Mandolin

    Dennis (owner of The Mandolin Store) and I had a discussion about this Lafferty octave when it came up for sale awhile back. He said four were made as a sample batch and that he decided to not pursue them further but went ahead and sold the ones be had so the one above is but one of those under the Lafferty brand name and these were manufactured and all sold several years ago.

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  3. #27
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    Default Re: Paul Hathway Octave Mandolin

    Any more thoughts on Paul Hathway's OMs? I am considering buying one but have never heard or played one. They look nice and are reasonably priced. Maybe just me, but my personal preference is one that is hand-made in London over an instrument from China no matter what bells and whistles it may have, or even a scroll. I am more interested in playability and tone. I have an Eastman octave mandolin that I am going to sell as soon as I settle on a different one.
    Silverangel F #515 "Clara"
    1955 Martin 2-15
    2006 Custom Daunt Lee Minstrel Octave mandolin
    Eastman octave mandolin (looking to trade it)
    1929 Weymann mandolin banjo

  4. #28
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    Default Re: Paul Hathway Octave Mandolin

    Quote Originally Posted by Mandolin Cafe View Post
    Dennis (owner of The Mandolin Store) and I had a discussion about this Lafferty octave when it came up for sale awhile back. He said four were made as a sample batch and that he decided to not pursue them further but went ahead and sold the ones be had so the one above is but one of those under the Lafferty brand name and these were manufactured and all sold several years ago.
    I recall seeing that Lafferty octave mandolin for sale in the CBOM Classifieds a couple weeks ago, I believe for $1800, and when I went back to look for it later that day it was already gone. What was intriguing was that it said "Made in the U.S." I seem to recall seeing in a thread somewhere on here that some of the the Lafferty mandolins were made by Audey Ratliff and others by Paul Schneider, but nothing about who made the octave mandolins. From the quoted post it sounds like the "Made in the U.S." statement was incorrect for that F-style octave.
    Silverangel F #515 "Clara"
    1955 Martin 2-15
    2006 Custom Daunt Lee Minstrel Octave mandolin
    Eastman octave mandolin (looking to trade it)
    1929 Weymann mandolin banjo

  5. #29
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    Default Re: Paul Hathway Octave Mandolin

    Quote Originally Posted by Jerchap2 View Post
    To date, to my knowledge, there is only ONE Gibson octave mandolin, and it is not clear that it is actually an octave mandolin. The octave mandolin is a modern incarnation of the mandolin family instruments, designed in the 1980s primarily for Irish music. But I think they are great and I love mine, a custom instrument made in 2006 by Daunt Lee, formerly of Garrison Guitars before Gibson bought them and then put them out of business. It is a unique and exceptional instrument.
    https://www.mandolincafe.com/forum/t...ctave-Mandolin
    Silverangel F #515 "Clara"
    1955 Martin 2-15
    2006 Custom Daunt Lee Minstrel Octave mandolin
    Eastman octave mandolin (looking to trade it)
    1929 Weymann mandolin banjo

  6. #30
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    Default Re: Paul Hathway Octave Mandolin

    Cool I also have a custom OM built by Daunt Lee in 2006, you are the only other person I know of who has one , wonderful instrument!!!

  7. #31
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    Default Re: Paul Hathway Octave Mandolin

    Quote Originally Posted by Dave Wight View Post
    Cool I also have a custom OM built by Daunt Lee in 2006, you are the only other person I know of who has one , wonderful instrument!!!
    How cool! I do not think he made more than a few. I love mine! Here is a photo of the label through the sound hole:
    Click image for larger version. 

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    Silverangel F #515 "Clara"
    1955 Martin 2-15
    2006 Custom Daunt Lee Minstrel Octave mandolin
    Eastman octave mandolin (looking to trade it)
    1929 Weymann mandolin banjo

  8. #32
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    Default Re: Paul Hathway Octave Mandolin

    Yes and there is currently one of them listed in the Classifieds here
    too many strings

  9. #33
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    Default Re: Paul Hathway Octave Mandolin

    Quote Originally Posted by musicofanatic View Post
    Yes and there is currently one of them listed in the Classifieds here
    Really? I missed it. Don't see one now, but you posted that 6 days ago. I would really like to find another one to have as a backup. Any chance you might think about selling or trading yours? Please PM me. And please PM me if you see another one for sale. I try to check the ads daily but sometimes get very busy. Thanks! Let's keep in touch, and not just through this thread!
    Silverangel F #515 "Clara"
    1955 Martin 2-15
    2006 Custom Daunt Lee Minstrel Octave mandolin
    Eastman octave mandolin (looking to trade it)
    1929 Weymann mandolin banjo

  10. #34

    Default Re: Paul Hathway Octave Mandolin

    Quote Originally Posted by Jerchap2 View Post
    Any more thoughts on Paul Hathway's OMs? I am considering buying one but have never heard or played one. They look nice and are reasonably priced. Maybe just me, but my personal preference is one that is hand-made in London over an instrument from China no matter what bells and whistles it may have, or even a scroll. I am more interested in playability and tone. I have an Eastman octave mandolin that I am going to sell as soon as I settle on a different one.
    I have had a Hathway for a couple of months now. I got it thinking that it could be a replacement for my Eastman. I have liked what I heard in various YouTube videos of Hathways, and in real life, it had all that and then some - there is a richness to the sound that just doesn't come through on YouTube.

    But I was also in for a bit of a surprise - it made me appreciate my Eastman much more for what it is. It doesn't have that rich, resonant ring that comes from the Hathway, not even close, especially not on the lower strings. But it has this dry, percussive 'thunk' that I have always liked and that I find even more attractive now that I have something else at hand as a contrast.

    I also find the Eastman way easier to play. Perhaps it has to do with the radiused fretboard, and there is something about the shape of the neck that suits me better. This is most certainly a matter of personal preference.

    As it is right now, I am not sure that I would want to choose one over the other. And if I had to, I am also not sure which one.

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