I have a1928 Gibson A1 which is in need of a
Refret. My luthier says that the original size fret wire is no longer available. I am looking for suggestions on what size frets you folks would recommend.
I have a1928 Gibson A1 which is in need of a
Refret. My luthier says that the original size fret wire is no longer available. I am looking for suggestions on what size frets you folks would recommend.
I have had consistently good results with Stew-mac #147, which has a crown width of .080" and a crown height of .040".
It is pretty similar to the wire Collings currently uses.
It is noticeably larger than '20's Gibson wire, so it will have a different look. The increase in height will make the mandolin much easier to play. This is the wire I have used on Peter Ostroushko's and Norman Blake's mandolins.
If you want a wire with a more traditional look, the Stew-mac #764 is a good choice, with a crown of .053" x .037".
I second the .50x.78 size (also available as Jescar 50078).
It's what I use when refretting to get taller frets.
Taller frets are easier to play for me too.
I got one out right now getting that wire put on.
Davey Stuart tenor guitar (based on his 18" mandola design).
Eastman MD-604SB with Grover 309 tuners.
Eastwood 4 string electric mandostang, 2x Airline e-mandola (4-string) one strung as an e-OM.
DSP's: Helix HX Stomp, various Zooms.
Amps: THR-10, Sony XB-20.
I have also used the #147 and like that wire a lot, it's not too big, and still small enough to not look out of place. Since like the smaller wire it works for me quite well.
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Good morning and thanks for the replies. I am leaning towards the #147 for playability reasons. While the mandolin is in beautiful shape she always be a player due to a replaced bridge and frets so I am not worried about the cosmetics of larger frets.
Just watch the fret tang, The slots may need to be widened for #147
Robert Fear
http://www.folkmusician.com
"Education is when you read the fine print; experience is what you get when you don't.
" - Pete Seeger
The slots will probably have to be widened for any modern wire that I am familiar with this.
If your repairman is competent, he will know this, and know how to do it correctly.
It's a routine operation for an experienced repair person.
I have seen a lot of terrible refrets from repair people that have been at it for decades, so I am not sure that experienced = competent.If your repairman is competent, he will know this, and know how to do it correctly.
It's a routine operation for an experienced repair person.
Robert Fear
http://www.folkmusician.com
"Education is when you read the fine print; experience is what you get when you don't.
" - Pete Seeger
There are incompetents in every line of work. When in doubt about a person's ability, ask to see a sample of his work.
Portland (Oregon) Fret Works leveled the fingerboard and refretted my 1922 A4..
the recommendations were well founded, not cheap, but good.
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