Getting back in the Mandolin World
For the past year, I have been focusing on playing bass, both in bands and in the studio. This was not something I expected to do. Band leader asked me, "Do you mind playing bass?" I did not even know how it was tuned. Now that my bass playing has a foundation, I have moved back, at least some time to playing mandolin family. A major reason for the shift is that I need to start writing music for my 4th CD. Bass, for me, is not a great writing instrument. Last week, I pulled out all my mandolin family instruments just to hear how they sound, trying to disregard my poor playing, (rusty would be kind). Looking back at last week, I had a few surprises. My funky (in a great way, big body, short neck mandola) Nyberg generated the best tone by far. Not only clean, pronounced and full. Of my mandolins, the Hester was amazing, full and rich. Going in I would have expected my Ellis to be king of the hill. Due to my lack of playing grass any time recently, my playing was not able, at this time, to help emphasize the Ellis' strong points. Tjos will come in time. The Nyberg simply sounded great, even with my less that stellar playing. I realize that this evaluation will change over time. Just thought I would share my experience.
Tony Huber
1930 Martin Style C #14783
2011 Mowry GOM
2013 Hester F4 #31
2014 Ellis F5 #322
2017 Nyberg Mandola #172
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