Re: Other direction from banjo?
I've got one of each: a Pollman "mandoline banjo," with a five-string neck on a flat top mandola body, made around the turn of the 20th century; a Gold tone "banjola," the modern equivalent, and actually a very nicely made instrument; and a five-string Dobro, a small resonator body with a five-string banjo neck.
Oddly enough, the resonator on the "Dobro banjo" is actually of the biscuit-bridge variety, more commonly found on National resonator instruments than Dobros. My late friend Bernie Stolls tried my five-string Dobro at a folk camp years ago, and fell in love with the sound; he got Scheerhorn to build him a custom instrument, and recorded a CD with it.
Of the three, the old Pollman (it's labeled "Polmini" which perhaps was a concession to the Italianate mandolin-buying public) is the hardest to work with. It has all un-geared metal "friction" pegs, which are hard to tune, and it's extremely lightly built, although it will take light-gauge steel banjo strings. The Gold Tone is more solid, has modern geared pegs all around, and nice fit and finish. The Dobro has an odd-ish sound, sorta midway between a Dobro and a National, but all the "modern conveniences": geared pegs, sliding 5th-string capo, quality hardware, nice neck. It also came with a gigundous rectangular case, probably a modified Strat case or similar, which weighs approximately a ton. I assume the body's plywood, but that's not a real issue with resonator instruments; the sound comes from the cone.
So, just as there are various banjo-bodied instruments, there are hybrids that combine five-string-banjo necks and tuning with mandolin-family bodies, and with resonator "technology." Of course, National and Dobro made quite a few four-string instruments, which could be tuned like tenor or plectrum banjos, so "crossover" between banjo playing, and mandolin or guitar sounds, is not rare at all -- just rarer when you're talking five-string banjos.
Allen Hopkins
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